>>279910740>>279910295 (OP)As an addendum, here are anime that I would consider quintessential, spanning from the 60s to the end of the 70s. Reasoning or episode guides included
>Tetsuwan AtomSpecifically the key creative episodes, your Dezakis and Tominos and whoever else you're interested in.
>Dororo to HyakkimaruFirst TV anime that makes great leaps in pursuit of a form of artistic integrity, like the B&W used for both censorship and as an artistic statement.
>Ashita no JoeShould be obvious.
>Lupin III Part I & Mystery of MamoQuintessential early Lupin, just well rounded and highly influential works in general.
>Ace wo Nerae>Gamba no Bouken>Nobody's Boy Remi>TakarajimaAll incredibly significant Osamu Dezaki anime.
>Rose of VersaillesDezaki and Nagahama work.
>Kyojin no HoshiThe quintessential Nagahama work.
>Voltes V>Daimos>Combattler VThe Robot Romance trilogy, highly influential and significant to the burgeoning 'maturation' of the mecha genre.
>Zambot 3Also plays a role in this and shows the roots of Tomino's more aggressive stylings as a writer. Adjacent to that are
>Daitarn 3>Mobile Suit GundamFurther quintessential Tomino works.
>Moomin (1969, 1972)>Rocky Chuck>Apls no Shoujo Heidi>Dog of Flanders>Rascal>3000 Leagues in Search of Mother>Anne of Green GablesThese are the most significant WMT works outside Dororo to Hyakkimaru of the 60s-70s. It's a lot, but WMT is fairly backloaded in significance- in particular, Heidi, Flanders, and Anne are key works that you see influencing a lot to come (in particular, Anne's characterization holds a lot of influence in later works like Doremi or Princess Tutu, for example).
>Uchuu Senkan Yamato>Captain Harlock>Galaxy Express 999These are the key Leiji Matsumoto adaptations of the 70s and probably the first instance of a stylistically consistent and driven creative mind backing a set of projects.
There's far more works than this, I only offer a mere taste.