>>280756561>No, it's demandWrong. It’s both but the dominant force at play here is studio orchestration, not grassroots demand. Aniplex pre-booked 40+ daily showings in top locations (i.e., TOHO Shinjuku) weeks in advance. That isn't audience demand, that's a corporate maneuver to lock up premium screen time before the competition can touch it. It's called block-booking (look up that term), it inflates opening numbers by brute-forcing supply to simulate demand.
>the biggest reason kimetsu didn't have an EVEN LARGER audience this weekend is because it didn't have more screens.Yes, and why didn't it? Because even with a flood of showtimes, it's already eating up near-max capacity. What you'tr seeing isn't unmet demand, it's the ceiling of what's physically available, inflated by:
>National holiday>Premium pricing (IMAX, 4DX, fan bundles)>Fanbase urgency>Zero competition (for now)That isn't organic, it's engineered scarcity meets saturation. Mugen Train had buzz and long legs. Infinity Castle has FOMO and a stopwatch ticking toward Jurassic World.
>Also superman did like crapYou're an idiot.
Superman is holding steady internationally (over $340M now), which is great for a DC reboot. In Japan? Sure, it's soft, but it raked in $2.5M (even after Aniplex tried to sabotage it). But cutting it entirely in favor of one IP taking over all formats hurts theater diversity. Movie theaters thrive on variety, not monoculture saturation.
Also, Kokuhou is getting expanded late-night slots PRECISELY because there's pushback against Demon Slayer hogging everything. A lot of Japanese cinephiles are resentful over anime's hostile takeover on the Japanese box office.