>>149304704 (OP)Regardless of the rating, I think the "intended audience" mindset is what makes or breaks a show.
I'll use something like Yu-Gi-Oh! as a good example. I'd say the first series, Duel Monsters was written with the 10-12 year old demographic in mind, but with the hopes that it would be appropriate for all ages and be able to appeal to kids 14 and up, as well. In comparison, every other iteration from GX onward appears to be written with the 4-7 audience in mind, with the hopes that it will appeal to all ages and older children, as well. Now, I'm not saying there shouldn't be programming aimed at younger audiences or that programs shouldn't try to appeal to a wider swath of ages, but I think that a lot of cartoons were better and hold up longer when they're aimed at a slightly older target audience (such as with Gargoyles, Batman: the Animated Series, Avatar: the Last Airbender, Spider-Man: the Animated Series, etc.) versus when they're aimed at a younger audience and hope that the older kids will like it, too.
Another problem is I think a lot of creators nowadays write from the perspective of what they THINK kids like, while not actually interacting with any children in their personal lives or remembering what they were like when they were kids vs trying to make shows that THEY would've liked when they were kids.This is the reason Lauren Faust is so consistently good, is she makes shows that she wishes she could've watched when she was growing up.
Like, for example: if I were to make a show based on what I think kids would like then I would make something with a lot of splat and grossout humor that references TikToks or something, but if I made a show based on what I wanted to watch as a kid it would be some kind of Johnny Quest knockoff with a mix of Gargoyles & Spider-Man the Animated series vibes with maybe some lighthearted humor like you would see in things like Scooby-Doo worked in if I could manage it.