>>149325999And then Season 3 is where Nazbol runs reality, free of writers and expectations, and manifests centrist allies of his own, unique ship pairing no one does, OCs with tremendous powers, forgotten scripts, and any and all characters angry at writers and artists for dictating their lives, to start the new crusade of Canonicide, to challenge the notion of creations under the control of writers. Imagine Chris-Chan's every character imagined is real and autonomous but beholden to the decisions placed on them by us god-beings, and make that real.
Only Nazbol realizes he's still being written by a writer, he thinks he's escaped that because I've killed myself (and honestly for the art I think this is how I WOULD kill myself to be a proper Socrates of the message, I don't want a community or shit I want the message to matter) but I wrote all this afterwords as the framework to build a fighting game of different political extremes using praxis to fight each other anime-style (Commie's got this duplication power thing, Ancap's the Monkey King now, that sort of shit) and he gets depressed and vomits up Depression, returning to this realm as a god force the extremes have to fight together, I haven't thought this out but my general premise is this;
Understanding Centrism as an expression of propaganda and media upon the population, the tangibility provides a means to create anti-centrist praxis through civil disobedience. Obviously the direct answer is le Uncle Ted, but that's pretty bloody and illegal, so instead, civil disobedience of the frameworks of rule-abiding content can fill the gap that alternative news and currency miss; alternative media. In short, to fight centrism, people should make art in defiance of intellectual property laws to bleed centrist entertainment with a thousand cuts. Break the notion that canon is always superior to fanon.