>>18465750>There is a particular kind that think they are quite clever for dismissing pieces that represent a break from a very old ideal. I meant the proudly ignorant/reactionary types who don't have any familiarity with art at all, and thinks it ought to be le return to trvd dogshit. I don't think those guys are proud of being clever, they're proud of calling a spade a spade. Pride in their lack of sophistication as they see knowing about this stuff as some kind of delusion or so on etc etc etc.
Personally, I love pop art, American modernism, etc, think it's brilliant, keep thinking I'll pull the trigger on a Rauschenberg one of these days, but the shipping from these auction houses is complete murder.
In terms of suggestions, I find the idea of elevated simplicity in contemporary design very middling myself.
When I was working at the design firm, we were partners with many of these types, doing a kind of intense craftsmanship that was neither overly ornate nor simple, but rather unadorned, obsessed with materiality. However, much of it was so eh, didn't do much for me.
Carl Aubock
Lobmeyr
Glas Italia
Konstanin Gricic
Phillipe Moulin
Sabine Marcellis
Zeitraum
Thonet(they have contemporary designs)
Van Rossum
Etel(seem to own most of the rights to Neimeyer's work these days)
Zanat
Christophe Delcourt(some of his work is brilliant, but completely inaccessible price wise)
Bieke Castelyn(notable for those rounded plaster tables that were quite trendy a a few years ago and everyone copied)
CEA
and the list goes on, it's tricky because every one of these brands at Salone or whatever love to tell you how much they love materiality, and medium, and they're all sort of in that middling quiet luxury sphere so the work is 'simple' but, also terribly boring a lot of the time.
Gorgeous sinuous boucle couch that costs 40,000 euros? They have you covered, but its the same couch you've seen a billion times before in every mooodboard you know.