>It's another dialogue chapter

Me reading Heart of Darkness

>>24457849 (OP)
This but the pepe is screaming 'kinooo'

>>24457849 (OP)
Dialogue chapters are better than prose chapters.

I just want a fantasy book, no magic, told from an Innkeepers perspective where he just details that daily life and mundane occurrences. Sourcing his food items to serve in the Inn, the menu, details on the finances. Just bland droning, thinking out loud, and the business of an Inn being ran.

>3 chapters long battle that the mc can't lose

readers respond to dialog. Instead of boring description, like a textbook? You can skillfully get them the bits of background they need to know, by weaving it in with dialog.
>
Actually, most beginning writers tend to have trouble with certain characters and dialog. They lean on description. Getting comfortable with dialog, and how to use it for more than just talk? Is a mark of the maturing writer.

>>24458047
The Saga of Recluce is close to that. The main character is a carpenter and 90% of the book is about carpentry/ operating a woodcraft store.

>>24457880
fr fr

Dune.

>>24457880
>>24457849 (OP)
Relatable

>>24457849 (OP)
is it really that bad? I recently wrote a chapter that takes place between two chapters (one a battle scene and another a scene with tension that ends with a cliffhanger) and it takes place in a council room where a bunch of characters discuss the status quo and another one comes out of the blue and reveals some crucial information that may turn around the tide. It's like 3k words long