>>24496265>>24496276>>24496326>>24498685By the way, I really like the posts again, but the only exception or part I’m unsure of is the gematria lol.
>https://www.gematrix.org/?word=oedipa>Oedipa corresponds to "America" and "demon">https://www.gematrix.org/?word=49>49 corresponds to "bad bad bad bad bad bad bad"Although it is very interesting. And, on the other hand, Pynchon explicitly makes references to and shows knowledge of various forms of esotericism and the occult, or divinatory and magical practices, including (but not limited to) the Kabbalah, the Tarot, Freemasonry, astral projection, astrology, Spiritualism, and shamanic traditions. So it’s plausible there could be Gematria there, but I’m not sure of it. He’d have to be crunching it out manually of course, there was no Internet or gematria websites to play around with it. With his influences from Nabokov, sometimes including various “puzzles”, underlying plots or covert storylines or meanings to some of his works, it could match up with Pynchon doing Gematria. Like the famous acrostic of VN’s short story The Vane Sisters which reveals communication from the dead, and the similar case of Pale Fire, in one sense, being a “puzzle book” (but not only and exclusively that, or just limited to that, which would be reductive), with an underlying storyline that’s in a sense off-page but can be deduced from what’s in the pages.
I know there’s anagrams in his works, which is also a Nabokov thing, hence why I’m bringing up that influence because it makes it plausible. (Vivian Darkbloom = Vladimir Nabokov.) Don’t give me credit for this, I read it in some other piece of criticism or blog online. But, to move to GR, Tyrone Slothrop = “Entropy, or sloth”. You can tell it’s not a coincidence because of how entropy and sloth are some key motifs in Pynchon’s works. He wrote a whole essay on sloth for the NYT (“The Deadly Sins/Sloth; Nearer, My Couch, to Thee”), and of course the concept of entropy shows up as a major motif from CL49 to GR.
https://archive.nytimes.com/www.nytimes.com/books/97/05/18/reviews/pynchon-sloth.html
He even mentions virtual reality in the end. 1993. Cool article if you’re a Pynchon fan. Although I maintain his style works way better in fiction than nonfiction, but it’s just cool to get a peak under the mask, have Pynchon speaking as himself.
>>24498723Yep. Although I haven’t gotten to Slow Learner (for some reason I just read the intro online as a PDF, because I heard it was slightly more autobiographical and nudging beneath Pynchon’s mask a little, and it was indeed fun to read in that light), but now I’m interested in it too. “Your own worst critic” applies here. But I guess his high standards for himself are great for us, the dweeb-ass readers on 4chan.