>>24524711There’s a lot to talk about regarding the development of Shakespeare as a playwright. It shows he started as a plebeian entertainer who was first and foremost a bums-on-seats song-and-dance man ripping off older writers - who learned to graft greater poetic and philosophical depth onto his entertainments. Comedy of Errors still works on stage because of how solid the stagecraft is, the mechanics of all the farcical entrances and exits is still sound. He understood that side of theatre thoroughly, so much so that a play devoid of any of his later poetical genius is still a well made and performable play.
But yeah, pretending it’s deep and meaningful is retarded. But most literature academics don’t know much about theatre practice so write what they do know