>>24528752 (OP)Only read Notes from the Underground. Hope to read either Crime and Punishment or Brothers Karamozov soon.
Can confirm that the protag from Notes is the "he's just like me fr fr" meme.
Zero. They have never been recommended to me by anyone I have admired.
>>24528752 (OP)Only the brothers karamazov.
At times it felt like work reading it, but in the end it was fantastic. Although I’m not sure I would like it as much now.( I’ve read it four years ago)
>>24528752 (OP)Karamazov, C&P, Idiot, White Nights, Crocodile
just The Idiot
it was good yeah/spoiler]
>>24528939What changed? I have read C&P 3-4 years ago and I could happily read it again, yet I prefer reading other books I haven’t read.
>>24528952I’m not so fond of 19th century realism, especially grand family portraits anymore. Although for me the brothers karamazov shines the most when it deviates from these two concepts.
>>24528752 (OP)>Life is suffering and adhering to modern ideologies will only confuse and torment you so you should become Orthodogs insteadThere. I just summed up every Dosto book for you
>I'm the only one that's voted Humiliated and Insulted.
I really liked this one, it deserves more recognition.
>>24528752 (OP)8?
The Brothers Karamazov
Crime & Punishment
Demons
Notes from the Underground
Memoirs from the House of the Dead
White Nights
The Crocodile
Dream of a Ridiculous Man
9?
The Brothers Karamazov
The Idiot
Crime & Punishment
Demons
Notes from the Underground
Memoirs from the House of the Dead
White Nights
The Crocodile
Dream of a Ridiculous Man
>>24528752 (OP)Brothers Karamazov (by far the best, though a bit long winded)
Crime and Punishment (light, but entertaining)
Notes from Underground (meh)
Notes from the House of Dead (interesting, especially if you also read Gulag Archipelago)
Essays (meh, disappointing after the miniessays of BK)
Humilated and Dispossessed (not sure about the English title, okay, a bit melodramatic)
Demons (not bad, but at this point I had enough of him)
I agree with Nabokov, that Turgenev is a better writer, even if less interesting. If you forced me I’d probably choose to rearead Fathers and Sons over every Dosto except BK
>>24528752 (OP)If you are alluding to Dostoevsky’s worst novels, then, indeed, I dislike intensely The Brothers Karamazov and the ghastly Crime and Punishment rigamarole. No, I do not object to soul-searching and self-revelation, but in those books the soul, and the sins, and the sentimentality, and the journalese, hardly warrant the tedious and muddled search. Dostoyevsky’s lack of taste, his monotonous dealings with persons suffering with pre-Freudian complexes, the way he has of wallowing in the tragic misadventures of human dignity – all this is difficult to admire. I do not like this trick his characters have of ”sinning their way to Jesus” or, as a Russian author, Ivan Bunin, put it more bluntly, ”spilling Jesus all over the place." Crime and Punishment’s plot did not seem as incredibly banal in 1866 when the book was written as it does now when noble prostitutes are apt to be received a little cynically by experienced readers. Dostoyevsky never really got over the influence which the European mystery novel and the sentimental novel made upon him. The sentimental influence implied that kind of conflict he liked—placing virtuous people in pathetic situations and then extracting from these situations the last ounce of pathos. Non-Russian readers do not realize two things: that not all Russians love Dostoevsky as much as Americans do, and that most of those Russians who do, venerate him as a mystic and not as an artist. He was a prophet, a claptrap journalist and a slapdash comedian. I admit that some of his scenes, some of his tremendous farcical rows are extraordinarily amusing. But his sensitive murderers and soulful prostitutes are not to be endured for one moment—by this reader anyway. Dostoyevsky seems to have been chosen by the destiny of Russian letters to become Russia’s greatest playwright, but he took the wrong turning and wrote novels.
>>24528752 (OP)Here's every Dosty novel
>Do I cum on this whore's tits... or do I not! Heh! Heh! Heh! But to even think of cumming on a whore's tits... what atrocity! What horror! What terror! For the Most High Himself in that isolated Heaven above can see all, yes, yes, he can see all, he can see me like someone with eyes! To cum on a whore's tits is just like killing Christ. Truly, it is. But I am a sick, horny man, who enjoys cumming... And to cum on a whore's tits would surely be divine... But it is such a hot day outside. Just like Hell must be hot, and with lots of fire, that burns like flame. Cumming on a whore's tits is the same thing as going to Hell! Ha! Ha! Damn it all to hell! I'll fly at that whore with my cum! Ha! Ha! I'll cum on her tits! Ha! For I am so depraved, for I am so sick, for I am so twisted, that not even God could save my cum, which looks like semen! And it is so hot outside because of the sun... and the sun is like fire... truly it is. Truly the sun is like fire. But so is my cum! Oh my Lord, oh most high, deliver me, this wretched, depraved sinner, your beloved!Dostofags will tell you this is great literature.
>>24530271The only good thing here was the Heh! Heh! Heh!
otherwise like 3/10 post. work on it.
>>24530271I genuinely think people who like Dosto are drawn to the sordid, the salacious, the sick and twisted thrills, but because they know this temptation should be denied, they have to soothe their super ego by some pretext, which is where the Christian overtones come in. It combines to make an abomination of religious sadomasochism, shame, lust, murder, sex, debauchery, and, of course, the finale of spiritual fetishism: prostrating before the lord in the final thrill of humiliation and judgement so that the reader can insert themselves and say "YES! YES I AM A BAD BOY LORD, PUNISH ME AND I SHALL REPENT". It's actually extremely disgusting. Dosto enjoyers should seek help.
>>24530271needs a couple "devil take it"s
>>24528752 (OP)Probably one of the few people who have read every book there, and many other short stories that aren't there.
>FavouriteThe Idiot. Not his finest technically, but its characters are so memorable and the book feels enjoyable when rereading
>Least FavouriteThe Gambler, I'm aware of the biographical inspiration and the fact it was written under immense economic strain (not atypical for Dosto), but put it alongside anything else he wrote in that era and it just feels disappointing.
>UnderratedI think Humiliated & Insulted is a very good novel that doesn't get much attention, definitely read if you like the more sentimental aspects of Dosto.
>OverratedDemons. It's such a chore to reread, and probably isn't that well regarded by general readers but it seems to be the most analysed book when it comes to anyone talking about Dosto's philosophy etc., where they inevitably quote Kirilov as if it were Dosto himself.
>Honourable mentionsFoma Fomich is a very funny character in Stepanchikovo, probably his most obvious Gogol imitation, still funny though.
Netochka has a brilliant first part and is Dickensian in it's tragedy and influence, but is sadly unfinished at the start of what seems be a lesbian affair. Very unfortunate.
>Best not mentionedA Dream of a Ridiculous Man is a must read.
Poor Folk, the Double, House of the Dead, Uncle's Dream, Village of Stepanchikovo, Injured and Insulted, Notes from Underground, the Gambler, Crime and Punishment, The Idiot, Demons, the Adolescent, and Crime and Punishment. I'm not listing all the novellas and short stories like White Nights, etc, but I ticked off all of those that were listed on the poll.
For me, the best part of picking out a particular author to read is getting to know him as a person and seeing his ideas develop, and Dosto is the best example of that kind of experience that I've ever had. He's clearly laying his whole mind out on the page and constantly arguing with himself. His emphasis on human types, his struggle with romanticism, and his documentation of the underground condition and theories on how to resolve that condition, all over the course his mature career, all add layers of emotional depth that you just can't get by simply picking out one of his popular books and reading it once. People who complain that Alyosha Karamazov's type is supposed to be contemptible aren't familiar with Alyosha Valkovsky or the legion of other "perfectly good men" that Alexei acts as a counterpoint to, succeeding where they all - especially Myshkin - failed. People who think of the Underground Man as a sort of archetypal incel seem unaware that the highly-sociable Dmitri is explicitly stated to be an example of the type. And the Nabokov spammer obviously hasn't so much as glanced at the Idiot, which is so fascinating precisely because it's largely a self-denunciation of all the flaws in Crime and Punishment which are mentioned in the copypasta.
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>>24530271Yeah. Notes from Underground is best because it‘s shortest.
>My story is laid in Spain, in Seville, in the most terrible time of the Inquisition, when fires were lighted every day to the glory of God, and ‘in the splendid auto da fé the wicked heretics were burnt.’ Oh, of course, this was not the coming in which He will appear according to His promise at the end of time in all His heavenly glory, and which will be sudden ‘as lightning flashing from east to west.’ No, He visited His children only for a moment, and there where the flames were crackling round the heretics. In His infinite mercy He came once more among men in that human shape in which He walked among men for three years fifteen centuries ago. He came down to the ‘hot pavements’ of the southern town in which on the day before almost a hundred heretics had, ad majorem gloriam Dei, been burnt by the cardinal, the Grand Inquisitor, in a magnificent auto da fé, in the presence of the king, the court, the knights, the cardinals, the most charming ladies of the court, and the whole population of Seville.
>“He came softly, unobserved, and yet, strange to say, every one recognized Him. That might be one of the best passages in the poem. I mean, why they recognized Him. The people are irresistibly drawn to Him, they surround Him, they flock about Him, follow Him. He moves silently in their midst with a gentle smile of infinite compassion. The sun of love burns in His heart, light and power shine from His eyes, and their radiance, shed on the people, stirs their hearts with responsive love. He holds out His hands to them, blesses them, and a healing virtue comes from contact with Him, even with His garments. An old man in the crowd, blind from childhood, cries out, ‘O Lord, heal me and I shall see Thee!’ and, as it were, scales fall from his eyes and the blind man sees Him. The crowd weeps and kisses the earth under His feet. Children throw flowers before Him, sing, and cry hosannah. ‘It is He—it is He!’ all repeat. ‘It must be He, it can be no one but Him!’ He stops at the steps of the Seville cathedral at the moment when the weeping mourners are bringing in a little open white coffin. In it lies a child of seven, the only daughter of a prominent citizen. The dead child lies hidden in flowers. ‘He will raise your child,’ the crowd shouts to the weeping mother. The priest, coming to meet the coffin, looks perplexed, and frowns, but the mother of the dead child throws herself at His feet with a wail. ‘If it is Thou, raise my child!’ she cries, holding out her hands to Him. The procession halts, the coffin is laid on the steps at His feet. He looks with compassion, and His lips once more softly pronounce, ‘Maiden, arise!’ and the maiden arises. The little girl sits up in the coffin and looks round, smiling with wide‐ open wondering eyes, holding a bunch of white roses they had put in her hand.
>“Not a bit of it! He claims it as a merit for himself and his Church that at last they have vanquished freedom and have done so to make men happy. ‘For now’ (he is speaking of the Inquisition, of course) ‘for the first time it has become possible to think of the happiness of men. Man was created a rebel; and how can rebels be happy? Thou wast warned,’ he says to Him. ‘Thou hast had no lack of admonitions and warnings, but Thou didst not listen to those warnings; Thou didst reject the only way by which men might be made happy. But, fortunately, departing Thou didst hand on the work to us. Thou hast promised, Thou hast established by Thy word, Thou hast given to us the right to bind and to unbind, and now, of course, Thou canst not think of taking it away. Why, then, hast Thou come to hinder us?’ ”
>“And what’s the meaning of ‘no lack of admonitions and warnings’?” asked Alyosha.
>“Why, that’s the chief part of what the old man must say.
raskolnikov is literally me
>>24530315I just like his sentimental scenes. Like when Zosima comforts the grieving mother on the church steps, her desire to hear just the patter of her son's footsteps one more time. Or when Ilyusha confesses that he fed the dog needles through the bread and later tells his father to feed the birds at his grave so that he won't be lonely.
Another good excerpt:
>Listen! If all must suffer to pay for the eternal harmony, what have children to do with it, tell me, please? It’s beyond all comprehension why they should suffer, and why they should pay for the harmony. Why should they, too, furnish material to enrich the soil for the harmony of the future? I understand solidarity in sin among men. I understand solidarity in retribution, too; but there can be no such solidarity with children. And if it is really true that they must share responsibility for all their fathers’ crimes, such a truth is not of this world and is beyond my comprehension. Some jester will say, perhaps, that the child would have grown up and have sinned, but you see he didn’t grow up, he was torn to pieces by the dogs, at eight years old.
>>24530315Are you going to repost yourself in every Dosto thread now?
Grand Inquisitor is overrated
Not that it's badly written I just don't like how it somehow eclipses the book despite not being even in top 5 my favorite moments from it (and then you have some literal secondaries reading it separately from the entire novel when it's supposed to be the center of this story's moral dilemma)
>>24528752 (OP)>atheism bad>nihilism bad>here I write both atheist and nihilist character being le bad to show you that they are... le bad this guy is similar to /qa/ n sharty soijak maker except it was a nihilist as his target instead of soiboys and he wrote them instead of painting them in ms paint
Ivan is a schizo and a hypocrite
Great character though
>>24531093It's a good post, I quite like it, and no one can even challenge it. I could phrase it slightly differently each time, if that helps. My goal is to break up the constant circlejerk and spamming of Dosto threads. If /lit/ has to be shitted up with so much Dosto, you are damn well going to hear a dissenting opinion.
>>24531305>and no one can even challenge itThat's because there's no argument in it, only a dumb opinion and the obvious fact that Crime and Punishment is the only book you've even glanced at. It's like asking people to challenge a turd on the sidewalk.
>>24531305>break up the constant circlejerk and spamming of Dosto threadsI monitor /lit/ daily and it gets a Dosto thread on average maybe once three or two days max, this isn't "spamming". If anything I think people should discuss Dostoevsky's works more and more in detail because I feel like while it's critically acclaimed, the fact that it's critically acclaimed makes people stop thinking about what is it exactly that makes his works good.
>>24530612>airport novelsDude I get that it's trolling but I wish you could find the degree of symbolism, character writing and detail in average modern entertainment writing like you can find in TBK. It's written with the kind of mentality that I think is impossible to find nowadays.
>>24528752 (OP)I lost my copy of Brothers Karamazov when I moved, so just Crime and Punishment. Eventually I'll get another copy and then probably add The Idiot and Demons to that list.
>>24530315What's your favorite book?
>>24531584War and Peace. Honorable mentions go to Moby Dick, Germinal, Dead Souls, Resurrection, Howards End, Ivanhoe, Far From the Madding Crowd, Steppenwolf, The Grapes of Wrath, A Christmas Carol, 1984, and Lolita
>>24531410If you can't see elements of what I am criticizing in Dosto's other novels (Notes, TBK, The Idiot, and Demons) then you clearly haven't read them
>>24531567For ages there would permanently be at least three separate Dosto threads at any given time. I like to think I've helped drive that down by making Dosto into the meme he deserves to be.
>>24532651I can't see it because it's not there. You have this bizarre assumption that a reader not only should but obviously would feel guilty about feeling something from reading one of these books. This is a pretty abnormal reaction to reading a book, especially one where nothing more sordid happens than you could find in any Dickens or Christie novel. I can only assume that you suffer from childhood emotional neglect, and that Dosto novels make you uncomfortable because of their emphasis on emotional catharsis and you were raised to feel ashamed of having feelings. Based on the way you scream PUNISH ME DADDY to accuse others of doing so, I infer that your father used to punish you for displays of emotion. You feel a fear of punishment when you feel any emotion, and when you see someone enjoying an emotion you instantly assume that the person in question enjoys the fear of punishment for feeling emotion. This is actually not so, and you need help.
>>24532647Fair enough but I don't see how that discredits Dostoevsky in any way, nor do I see any spam. He's highly rated because his books are good at representing humanity.
My favorite parts of C&P aren't the ones where he's going nuts, it's the parts when he finds some connection to the world around him.
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>>24528752 (OP)Surprised The Idiot is in the top 3
>>24531122>>atheism bad>>nihilism bad>>here I write both atheist and nihilist character being le bad to show you that they are... le badYes? History has shown that atheism-nihilism is so much worse than Dostoyevsky could ever imagine.
What's your favorite piece of Dostoevsky's writing? I don't mean an entire work, if you had to choose a particular fragment or scene what would that be? For me it's the last hours of Svidrigailov, absolute nightmare fuel.
>>24532651Yeah, you've totally helped defame this world-renowned writer who's widely recognized as one of the all time greats by occasionally posting garbled drivel on /lit. You go girl!
>>24534071>last hours of SvidrigailovThat and the epilogue are probably my favorite scenes in Crime and Punishment. I didn't see it as a nightmare fuel though, more like as a "this is it" moment. The scene with the mother dying was more terrifying to me, but I need to reread it.
>What's your favorite piece of Dostoevsky's writingThe entirety of Ivan and Smerdyakov arc in TBK and Cana of Galilee
>>24528752 (OP)Most of you have read Crime and Punishment, but how did you read it?
>read it in the original russian>read the garnett translation>read the magarshack translation>read the mcduff translation>read the pevear & volokhonsky translation>read the katz translation>read a different english-language translation>read a non-english translation
>>24534845Read it in the original language back in school
There are three points of view from which a writer can be considered: he may be considered as a storyteller, as a teacher, and as an enchanter. A major writer combines these three—storyteller, teacher, enchanter—but it is the enchanter in him that predominates and makes him a major writer.
To the storyteller we turn for entertainment, for mental excitement of the simplest kind, for emotional participation, for the pleasure of traveling in some remote region in space or time. A slightly different though not necessarily higher mind looks for the teacher in the writer. Propagandist, moralist, prophet—this is the rising sequence. We may go to the teacher not only for moral education but also for direct knowledge, for simple fact. Finally, and above all, a great writer is always a great enchanter, and it is here that we come to the really exciting part when we try to grasp the individual magic of his genius and to study the style, the imagery, the pattern of his novels or poems.
Style and structure are the essence of a book; great ideas are hogwash.
I find that when people praise Dostoevsky they are almost exclusively praising him as a man with great ideas and as a teacher, rather than a writer of literary merit
>>24532679>>24532721>>24533202>>24534071Just know that every time you read the Dosto pasta, I am smiling :)