>>24547540I agree with this.
>movies creeping up to 2½ hours plusThis especially. Hollywood used to be able to tell a story well in 90 minutes.
Orson Welles talks quite a bit about brevity, in theatre and cinema. When he did the Mercury theatre they almost always cut texts down and did them very fast. He said no-one ever complained they weren't getting their money's worth.
There are lots of reasons for the creeping bloat. One is that "prestigious" films tend (or tended) to be longer. (Some survey a few years ago showed, IIRC, that a Best Picture Oscar winner averages 20 minutes longer than the average film of that year.)
So in the 1940s / 50s, the average film was 90 minutes or a bit over, and the Oscar winners were more around the 2 hour mark. Everyone notices this, consciously or not, and thinks "longer = better, so if we make our film longer, it will be better".
Another reason is that the most famous directors have more power now.
Under the studio system, the directors, even if they were very well-respected, were still just a cog in a machine. They didn't have final cut. So the producer would just say "lose 20 minutes" and the editors would cut 20 minutes. It led to some very bad things (The Magnificent Ambersons) but on the whole I think it was beneficial. (The ugly fact about film is that the "director's cut" is almost always worse than the theatrical release.)
Nowadays a famous director can be as self-indulgent as he wants and no-one can tell him no. A good example: compare the 1933 King Kong with the Peter Jackson version. PJ was all-powerful in 2005, because of Lord of the Rings, and no-one had the power to take his film and throw away the hour of it that needed throwing away.