Anonymous
7/16/2025, 9:13:24 AM No.24554431
>In the nineteenth century another mentality manifested itself It is evident in a very able and brilliant poem, Goethe’s Faust. Marlowe’s Mephistopheles is a simpler creature than Goethe’s. But at least Marlowe has, in a few words, concentrated him into a statement. He is there, and (incidentally) he renders Milton’s Satan superfluous. Goethe’s demon inevitably sends us back to Goethe. He embodies a philosophy. A creation of art should not do that: he should replace the philosophy. Goethe has not, that is to say, sacrificed or consecrated his thought to make the drama; the drama is still a means. And this type of mixed art has been repeated by men incomparably smaller than Goethe. We have had one other remarkable work of this type: Peer Gynt.
Is Eliot's criticism correct?
Incidentally these are the works Weininger most esteemed (besides the libretto of Wagner, which is similarly "philosophical")
Is Eliot's criticism correct?
Incidentally these are the works Weininger most esteemed (besides the libretto of Wagner, which is similarly "philosophical")
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