It's the weakest of his books because the twist is revealed basically right away. It wouldn't be ranked very high if it weren't for the Anthony Hopkins movie.
>>24851363
Hot take territory. It's not a thriller, and the key is not a gotcha reveal, it's the moments where he fails to take his chance at life, and then the scenes where he realizes what he could have had.
OP, people love this book, and it launched his career. Why do you pretend not to know that?
>>24851475
I've been thinking whether I should leave the second sentence in or omit it, and ultimately decided that it made my post feel more conversational. You could've at least answered the question.
I really liked it. I liked Never let me go, but not as much.
I guess i really just liked the ending. As the remains of the day happen, Stevens decides to live the remainder of his life better. He knows he threw it all away, not just for nothing but even a negative exchange. Acceptance of a wasted life. Very nice, hard hitting. Lives rent free, easily. Everytime i see a sundown, i think of this book, and try to do well. Excellent.
Impotent characters are a theme in his work. Never Let Me Go? They’re cucked, they don’t even even try to escape, instead going back to the system which will kill them. The Buried Giant? The MC is both a literal cuck (his wife bears another man’s child) and a metaphorical one (she gets taken away by Death). And so on
>>24852465
Plot is important, saying things in the right order to maximise their impact. OPs only problem is, he misunderstands the point of the book and thinks whatever has a Nazi in it must be the nexus
I really need to update this with Living (and to clean up some of the ugly phrasing), but it would only go into the catch-all last section of inessential works.