Thread 126906452 - /mu/ [Archived: 605 hours ago]

Anonymous
7/3/2025, 10:32:08 AM No.126906452
album_agaetis_1400
album_agaetis_1400
md5: a87884c1683951abc85a5399e69a7258🔍
You now remember Sigur Rós
Replies: >>126907215 >>126909223
Anonymous
7/3/2025, 10:38:25 AM No.126906469
Because my fucking Temu time machine broke again.
https://www.youtube.com/watch?v=aXcQKsI03uk
Anonymous
7/3/2025, 12:29:50 PM No.126907215
>>126906452 (OP)
the only other icelandic artist other than bjork that matters
Replies: >>126912770
Anonymous
7/3/2025, 12:35:16 PM No.126907259
my ex and i in high-school had our 'song' be one of sigur ros'

miss u bbygirl it's okay you got a husband and kids now, i'll still run away with you.
Replies: >>126909192
Anonymous
7/3/2025, 5:14:51 PM No.126909161
I still like them
Anonymous
7/3/2025, 5:17:29 PM No.126909192
>>126907259
Extremely gay
Anonymous
7/3/2025, 5:19:30 PM No.126909212
1728370947846112
1728370947846112
md5: 52ce7cf682505ac831d6d7a31a6b15d8🔍
>listening to sigur ros be like
Anonymous
7/3/2025, 5:21:07 PM No.126909223
>>126906452 (OP)
pretty boring music but in a pleasant way
Anonymous
7/3/2025, 11:11:52 PM No.126912604
>The 200 Best Albums of the 2000s
Pitchfork 02-10-2009 — 8. Sigur Rós: Agaetis Byrjun (2000)
wouldn't even be in the top 500 now
Anonymous
7/3/2025, 11:31:58 PM No.126912770
Finally_We_Are_No_One[1]
Finally_We_Are_No_One[1]
md5: 31eff1d703165379458666fb2724cba9🔍
>>126907215
apologize
Anonymous
7/4/2025, 1:01:56 AM No.126913500
Robert_Christgau_
Robert_Christgau_
md5: 5eabb0a22f3b838acc1d2b1501cb92ac🔍
Àgaetís Byrjun [Fat Cat, 2001]
Once there was a sensitive, conceited young fellow named Jonsi Birgisson who lived on a permafrost island surrounded by a cold, dark sea. Jonsi was a well-meaning person who loved music, and he yearned to put more warmth in the world even though he wasn't exactly sure what warmth was. Not just "throwing an electric blanket on the corpse of electronica," that he knew. Jonsi longed to blaze "inspired new avenues in sonic landscapes," to deliver "shamelessly tear-stained epics" in "the falsetto cadence of angels," to turn "4AD-styled, sepia-toned instrumental passages" into "awe-inspiring new-religious mantras." Stuff like that. He did all this and more on a thematically linked work where some of the sonic landscapes were entrancing (although not warm). Because he was conceited, sometimes he would announce that these soundscapes were destined to change musical history, and then sometimes mean people would make fun of him. But he always had the perfect retort. "You have to admit I'm smarter than Enya," he would say. And about that he was certainly right. B