Bonnie Raitt: Sweet Forgiveness [Warner Bros., 1977]
Although Paul Rothchild edited Bonnie's road band as painstakingly as he did the El Lay pros of Home Plate, this came out sounding unfashionably raw, almost live, because instead of punching in the perfect note and the clean tone he went for the most intense moment available from months of takes. I don't like "Runaway," which is flat and plodding and wrong for her, and I wish there were a stunner like "Good Enough" or "Sweet and Shiny Eyes" here. But Bonnie is singing rougher than ever before. Anyone who can induce me to dance to Eric Kaz has got to be doing some kind of job. A-
Although Paul Rothchild edited Bonnie's road band as painstakingly as he did the El Lay pros of Home Plate, this came out sounding unfashionably raw, almost live, because instead of punching in the perfect note and the clean tone he went for the most intense moment available from months of takes. I don't like "Runaway," which is flat and plodding and wrong for her, and I wish there were a stunner like "Good Enough" or "Sweet and Shiny Eyes" here. But Bonnie is singing rougher than ever before. Anyone who can induce me to dance to Eric Kaz has got to be doing some kind of job. A-