SOMEBODY'S WATCHING ME IT'S MY ANXIETY

>>508580511 (OP)
bah bah black sheep
have you any wool?

>>508580668
YES SAAR YES SAAR THREE BAGS FULL

>>508580511 (OP)
this is the quality on nu/pol/ 2025
Worst than reddit and twitter, cringe fest of faggots.

How do I say this ... 21 savage will never be Idris Elba and Idris Elba will never be white.

>>508580511 (OP)
I fucking hate that fucking remix

>>508580511 (OP)
What is it about the new version that is so jarring? Like the entire song causes me to have a feeling of anxiety. I KNOW that it's the new version when I hear it on the radio but it still does nothing to stop the harsh dissonance when I don't hear the original's lyrics at the start.

>>508580511 (OP)
>take the instrumentals of a good song that everyone liked
>make zero modifications to it whatsoever
>sing your own dogshit lyrics over it

>>508580511 (OP)
NOW THIS SONG IS A SONG, WE USED TO KNOW.. WHO?

>>508580511 (OP)
Both songs are garbage.

>>508584014
almost just like any other theiving nigger

>>508580511 (OP)
If you listen to the lyrics, it is obvious that he suffers from BPD.

>>508584014
>>508585034
Intellectual "property" is a corporate value-extracting scam that impedes cultural progress.
Culture always evolved through "inspirations" and blatant borrowings.
Also, watch this:
https://www.youtube.com/watch?v=R1QEV9euGAg
The interesting takeout from this video is that genres can be defined not by the sound, but by the set of ethical values that artists embrace. For most rappers it is ethically OK to sample others' music. It's you chuds who are wrong for not accepting their ethical values.

>>508580668
black sheep, come home

>>508585628
>Adam Neely makes 52 minute video to explain why he’s not actually an asshole for feigning expertise about Jaco Pastorius on a podcast
The whole “ethics of genre” concept is retarded anyway. It’s all the same ethics: don’t lie

The only difference when it comes to genre is that genre conventions provide a shorthand for understanding artistic claims; the people who get upset about fake guitar are the ones who take for granted that the guitar playing is real. The people who get upset about lyrical ghostwriters are the ones who take for granted that performers write their own lyrics. The people who get upset about rehearsing your solos are the ones who take for granted that solos are improvised.

Absolutely nobody cares about fake guitar if you are honest that it’s fake. It’s disingenuity and deceit that people, everywhere and universally, have a negative response to.

>>508581035
ONE FOR THE MAAM AND ONE FOR THE BITCH

>>508586585
> Absolutely nobody cares about <thing>
Right in this thread you can see people despising the authors for sampling, which made without the slightest pretense of it being original music.
Many people go "ewwww!" once they realize that some pop song uses DAW-produced sound and autotune instead of real instruments and natural vocals, when those pop songs never claim to use anything else.
People care. Understanding the ethics helps to care about the right things and accept that some artists have different values.

>>508587636
just lifting the backing track and inserting your own lyrics is lazy. that's the issue fo rme. it still might produce something cool though, but is lazy.

https://www.youtube.com/watch?v=k49I5m1J6Is

>real instruments
Most people can't tell the difference anymore between real and digital, which is fine and doesn't really matter.