>>509429237 (OP)The movie is a visual timeline of the revolution which has already taken place in real life, i.e. the brown flood i to white countries. It is demonstrating to the community of juden that the whites have been surrounded, cut off from reinforcements and are a shrinking degraded group. The survivor island is destitute, poor, cramped, ignorant, uneducated and ultimately indolent. They have not created or recovered a means of communication, and do not engage in a policy of land reclaimation, which would keep them safe from the rage infected. They have no fleet of trucks, or cars, no engine propelled boats, no helicopters or airplanes, not even a seaplane. They are the white world being kept in darkness by state policy, and given no assistance by other white controlled governments. The swedes or norweigians are the surviving whites elsewhere, who, though they have military capabilities and young white soldiers, do not engage in any meaningful way to combat the plague of brown and black monsters. This is a xommentary, such as it is, on the broken racial nature of europe. They could organize to defeat the menace, but instead they monitor the situation and let it kill everything and everyone do to, what must ultimately be, narrow political concerns. The society of the survivors begs for an israel style solution of drones, giant walls, automated gun emplacements, landmines, and indescriminent firebombing of cities.
There are then the comments on the nature of science being an impersonal false messiah. Science cannot save from what has been done, and morphs into religion, as the skulls must be made into a madman's seplcur, even though blood is so deadly that a deop will kill you, the people are handling biohazard samples for the sake of sentiment. The bone temple is a jewish insult to the white world, and represents alex garland's fist shaking at europe and triumphant mockery of their collective death.
