Maybe you will say
>take it to /tv/
but they do no seem receptive to my perspective. I feel this is relevant because this film Eddington by Ari Aster, is a black comedy about 2020 coronavirus, the summer of love, and the reactionary dialectics set fourth by the uniparty. Here are my thoughts so far:

In my opinion, it all goes so downhill in terms of coherent messaging after Cross gets slapped by Garcia. I know it was purposeful because the intention is to subvert the first third's messaging and make people feel hopeless and demoralized. In the end, Cross stops nothing, and all the feigning of agendas, especially those brought up by his mother in law, while all one hundred percent correct, are surface level reactionary debates because the agenda trudges on regardless, and actually decides to incorporate Cross as a lackey abettor, although unwillingly. The child trafficking angle was purposely conflated with gematria to discredit the uniparty ritualism exposed by Zachary K Hubbard, a popular youtuber, who's direct quotes are used by Austin Butler's character. It's such tactful subversion, I have to give Ari credit even if people like me and you are the ones being openly mocked and made to feel powerless. The datacenters are 1 to 1 with Project Stargate and all of the power they will require.

I'd be happy to answer any question related to the film in case anyone is interested, but has not seen it yet.
>The ending made little sense
To me, the messaging was showing how once you become a bur in the side of the powers that be, they will create pretense to fold you into the stewardship, albeit with zero agency. Baeu is afraid tackles similar themes.
>it's woke or something
Talk about the film without using binary and reactionary buzzwords. It's not a film devoid of nuance, it's full of it. I say this while also not feeling the messaging is anything but a blatant mockery for those with eyes to see and enough of an uncomfortable and jarring watch to push it down in the memory of anyone who just consoomed the media. It figures no one is talking about the film. There is only one thread on the board to discuss it. I hope it picks up steam just to dissect the demoralizing aspects...

www.youtube.com/watch?v=oL6jZqExlIk

>>510946949 (OP)
kino or A24 slop?
>"standoff between the mayor and sheriff" gives me hope, "black comedy" does not

>>510947374
It's meant to muddy the water on what people consider reactionary bickering and the real agenda. They want you to think COVID did not introduce contract tracing, the foundation of the surveillance panoption talked about by Larry Ellsion, the head of Project Stargate and Oracle CEO, and lump the whole chicanery in with two wing of the same bird reactionary debate.

>>510946949 (OP)
>Jews+Pascal

Any media that satirizes the desire for freedom is trash

I’m willing to bet the film glosses over the threats to take away children and put republicans into internment camps

>>510948003
>’m willing to bet the film glosses over the threats to take away children
They conflate all sentiment that is anti pedogracy into the Qanon trust psyop.

*pedocracy

>>510946949 (OP)
>by (((Ari)))
stopped reading right there

>>510946949 (OP)
>A24
>Aster
Not even once.

>>510946949 (OP)
what part of "I will NEVER watch anything with Pedro Pascal or Zendaya in it." don't you understand?

>>510946949 (OP)
>>510946960
does the movie climax into some wacky Fargo murder/fight where someones hand gets cut off or is it gay and serious