Anonymous
6/12/2025, 7:01:33 AM
No.148978527
>>148977905
Easy question to ask, hard to answer. There's so many things fucked with DC as a business that dealing with all of them is above my paygrade. I got a few bullet points though:
- Get good writers. Currently you don't have enough of them. Actively, CONSTANTLY search for new, better ones, and I really mean this shit. They should continously have an open writing contest going on. Entrants should only be judged based on the story's cleverness and entertainment value. No DEI hires, that's what killed this project the last time when it was Snyder's writing camp. Look for actual honest true talent. Seek to hire back previous good workers you fired for political reasons.
- Once you have actual good writers: Story ideas should come from the writers, not editors. Editors are there to shut down truly bad ideas, uphold continuity between titles, and help with coordinating shit. They should NOT be the people who decide what the actual stories are, like they were in Didio's era. That results in trash comics. Let writers do the storytelling, not editors.
- Those pocketbook editions (whatever they were called) are popular. Do more of them, that's good money. Look into the possibility of releasing new comics in that format too and ending floppies entirely.
- Cross-promote with videogames. Arkham games were the best thing that happened to you in decades, get something similar going fast. Make sure it's not utter shit like Suicide Squad (this part is easy, a small child could have told you that game would flop from the first screenshot).
- More boobs and butts
- Etc.
Easy question to ask, hard to answer. There's so many things fucked with DC as a business that dealing with all of them is above my paygrade. I got a few bullet points though:
- Get good writers. Currently you don't have enough of them. Actively, CONSTANTLY search for new, better ones, and I really mean this shit. They should continously have an open writing contest going on. Entrants should only be judged based on the story's cleverness and entertainment value. No DEI hires, that's what killed this project the last time when it was Snyder's writing camp. Look for actual honest true talent. Seek to hire back previous good workers you fired for political reasons.
- Once you have actual good writers: Story ideas should come from the writers, not editors. Editors are there to shut down truly bad ideas, uphold continuity between titles, and help with coordinating shit. They should NOT be the people who decide what the actual stories are, like they were in Didio's era. That results in trash comics. Let writers do the storytelling, not editors.
- Those pocketbook editions (whatever they were called) are popular. Do more of them, that's good money. Look into the possibility of releasing new comics in that format too and ending floppies entirely.
- Cross-promote with videogames. Arkham games were the best thing that happened to you in decades, get something similar going fast. Make sure it's not utter shit like Suicide Squad (this part is easy, a small child could have told you that game would flop from the first screenshot).
- More boobs and butts
- Etc.