Anonymous
7/11/2025, 12:45:40 AM
No.715107979
>>715103621
They are in on it.
They know about the paintress, they know about real Renoir, they know he wants to gommage everything, they know Verso wants to take her down, and they help him do so, for nearly a century.
Contrary to Lune they express zero butthurt in act III, quite the contrary. Far from confrontation, Monoco simply ask how he will convince the girls to get back on track. As for Esquie you max his relationship immediately in act III. In the final moments they agree with Verso.
By that point they've also been alive for centuries and are tired of it. Besides as the other anon said they are made from the desires of real verso, who wants to stop painting.
They are in on it.
They know about the paintress, they know about real Renoir, they know he wants to gommage everything, they know Verso wants to take her down, and they help him do so, for nearly a century.
Contrary to Lune they express zero butthurt in act III, quite the contrary. Far from confrontation, Monoco simply ask how he will convince the girls to get back on track. As for Esquie you max his relationship immediately in act III. In the final moments they agree with Verso.
By that point they've also been alive for centuries and are tired of it. Besides as the other anon said they are made from the desires of real verso, who wants to stop painting.