Anonymous
8/19/2025, 5:42:32 PM
No.103662508
>>103661818
Do you mean the company or the talents? Because I agree on both fronts.
Henya’s streams are a slog. She’s stuck in the same miserable loop of kusoge horror games like Chilla’s Art, acting like it’s content. It’s painfully lazy, unimaginative, and completely forgettable. Every time she goes live, it’s a reminder she could do so much more if she actually cared to try.
Mouse has become unbearable. Every stream now is just her clout-chasing with whoever will give her the time of day. She dropped the react content that actually worked for her and replaced it with endless hollow collabs. Doesn’t feel like entertainment anymore, just desperate networking.
Zen is somehow worse. Collab spam is her entire identity, usually dragging in literal who to pad out her schedule. Solo streams are dead. Whenever she tries, it’s obvious she’s lazy and leaning on others to carry her. She feels like a parody of a streamer who forgot how to do anything on her own.
Haruka and Froot? Ghosts. They barely exist as content creators anymore. nobody cares.
Matara is a cunt. Every stream is either merch shilling, another half-finished game, or a week-long vacation. Zero consistency. Zero respect for her audience.
Geega is insufferable. Holier-than-thou attitude paired with GTARP. one of the most tedious, joyless, unwatchable forms of content imaginable.
Kuro has potential, but he’s flaky as hell. Jumps from idea to idea, never committing, squandering every ounce of momentum his humor gives him.
Michi is unbearable. The purple-Yuri shtick feels exploitative, fake, and cringeworthy. Her chat and mods make it worse, drowning her streams in parasocial nonsense. Impossible to watch without cringing.
Peke, Hestia, Nagi, and Hotaru? Don’t matter. Completely forgettable. Nothing they’ve done has been remotely memorable.
Even with all this, some of the talents are slowly starting to improve. There’s a tiny hint that a few might finally remember how to actually create content people care about.
Do you mean the company or the talents? Because I agree on both fronts.
Henya’s streams are a slog. She’s stuck in the same miserable loop of kusoge horror games like Chilla’s Art, acting like it’s content. It’s painfully lazy, unimaginative, and completely forgettable. Every time she goes live, it’s a reminder she could do so much more if she actually cared to try.
Mouse has become unbearable. Every stream now is just her clout-chasing with whoever will give her the time of day. She dropped the react content that actually worked for her and replaced it with endless hollow collabs. Doesn’t feel like entertainment anymore, just desperate networking.
Zen is somehow worse. Collab spam is her entire identity, usually dragging in literal who to pad out her schedule. Solo streams are dead. Whenever she tries, it’s obvious she’s lazy and leaning on others to carry her. She feels like a parody of a streamer who forgot how to do anything on her own.
Haruka and Froot? Ghosts. They barely exist as content creators anymore. nobody cares.
Matara is a cunt. Every stream is either merch shilling, another half-finished game, or a week-long vacation. Zero consistency. Zero respect for her audience.
Geega is insufferable. Holier-than-thou attitude paired with GTARP. one of the most tedious, joyless, unwatchable forms of content imaginable.
Kuro has potential, but he’s flaky as hell. Jumps from idea to idea, never committing, squandering every ounce of momentum his humor gives him.
Michi is unbearable. The purple-Yuri shtick feels exploitative, fake, and cringeworthy. Her chat and mods make it worse, drowning her streams in parasocial nonsense. Impossible to watch without cringing.
Peke, Hestia, Nagi, and Hotaru? Don’t matter. Completely forgettable. Nothing they’ve done has been remotely memorable.
Even with all this, some of the talents are slowly starting to improve. There’s a tiny hint that a few might finally remember how to actually create content people care about.