Search Results
7/14/2025, 12:45:17 AM
>>1014872
>There are some certain parts of Bosequias censored. Is the game going to be some sort of lewd-game
My intention isn’t necessarily to create a lewd game, but rather a crude game, or at least a weird one. With my interest in history, I have always had a liking for artifacts and artwork from foreign and primitive cultures, and I’m fascinated by how these artifacts can range wildly from possessing a very strange and alien sense of beauty, all the way to a profound level of ugliness and obscenity, and even a sense of terror that you don’t see anywhere else. Sub-Saharan artwork is one of my favorites because of how intensely it exhibits these qualities. Because these come from cultures that differ from ours, they have different ideas of what is socially acceptable, and the casual depiction of genitals is common. That combination of the erotic and the grotesque is something that gets my blood flowing, as it fills me with an indescribable emotion like no other. To summarize, I am just a genuine weirdo, and that’s why Bosequias has his cock and balls out.
>In my scenes the light always looks super flat, like there is no air/atmosphere whatsoever
I’m probably not the best person to go to for lighting advice because the way I set up my lighting can be rather haphazard, but the thing that helps me the most is having a sense of mood for the scene I want to create. I ask myself how I want to feel if I were in the environment I’m creating. What would make this scene emotionally or aesthetically impactful? A lot of the time when I’m out and about, if I’m in a place that feels nice to be in, I will take note of what color the lighting is and where it’s coming from. It’s more of a subconscious process, but observing effective lighting (not necessarily good lighting) can help develop the senses.
>There are some certain parts of Bosequias censored. Is the game going to be some sort of lewd-game
My intention isn’t necessarily to create a lewd game, but rather a crude game, or at least a weird one. With my interest in history, I have always had a liking for artifacts and artwork from foreign and primitive cultures, and I’m fascinated by how these artifacts can range wildly from possessing a very strange and alien sense of beauty, all the way to a profound level of ugliness and obscenity, and even a sense of terror that you don’t see anywhere else. Sub-Saharan artwork is one of my favorites because of how intensely it exhibits these qualities. Because these come from cultures that differ from ours, they have different ideas of what is socially acceptable, and the casual depiction of genitals is common. That combination of the erotic and the grotesque is something that gets my blood flowing, as it fills me with an indescribable emotion like no other. To summarize, I am just a genuine weirdo, and that’s why Bosequias has his cock and balls out.
>In my scenes the light always looks super flat, like there is no air/atmosphere whatsoever
I’m probably not the best person to go to for lighting advice because the way I set up my lighting can be rather haphazard, but the thing that helps me the most is having a sense of mood for the scene I want to create. I ask myself how I want to feel if I were in the environment I’m creating. What would make this scene emotionally or aesthetically impactful? A lot of the time when I’m out and about, if I’m in a place that feels nice to be in, I will take note of what color the lighting is and where it’s coming from. It’s more of a subconscious process, but observing effective lighting (not necessarily good lighting) can help develop the senses.
Page 1