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6/29/2025, 6:15:51 AM
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22
The Grand Budapest Hotel
Wes Anderson, 2014
Two elevator operators in purple suits and caps stand in the red interior of an elevator as a female and male passenger sit close together and touch hands.
Wes Anderson’s candy-colored visions can be deceptive. The magnificent inn of the title is a glorious pink confection, but there are real stakes at play: Fascism is fast approaching and refugees have good reason to fear the authorities at the borders of a fictional European country. This between-the-wars tale of a beloved concierge (a terrific Ralph Fiennes) who calls men and women alike “darling” and sleeps with all his friends is in the end deeply moving.
22
The Grand Budapest Hotel
Wes Anderson, 2014
Two elevator operators in purple suits and caps stand in the red interior of an elevator as a female and male passenger sit close together and touch hands.
Wes Anderson’s candy-colored visions can be deceptive. The magnificent inn of the title is a glorious pink confection, but there are real stakes at play: Fascism is fast approaching and refugees have good reason to fear the authorities at the borders of a fictional European country. This between-the-wars tale of a beloved concierge (a terrific Ralph Fiennes) who calls men and women alike “darling” and sleeps with all his friends is in the end deeply moving.
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