>>11260155
>Imagine her mascara being cried off, and staining her stone cheeks with black smudges. Ruined makeup already looks demeaning and tragic and permanent. Now imagine her last attempt at beauty being permanently ruined for all to see. It's the perfect visual metaphor: her life before, where she felt pretty and confident and in control, completely ruined by some petrification-obsessed maniac. Now everything about her exists as a monument to her capture and freezing. She doesn't even get to look put-together. Plus, mascara tears are hot.
Now that's a great idea. Wanna see that now.

>But you can't. Not a single muscle in your body can move. You're stuck forever in some exhibitionist pose, being stared at by countless onlookers. You don't even have the presence of mind to be embarrassed at how exposed you are. None of them know the state of agonising, constant pleasure you're in. Most of them think you're just a regular statue. You're experiencing an orgasm a hundred thousand times stronger than any human has before, but to everyone else you're just a statue of a pretty woman.
I'm not sure it'd get worse over time. It's not like she has nerves to get more and more sensitive, she's a rock. What she feels is what she gets. The torture is that it just keeps going on and on and on, endlessly, each climax as unbearable as the last, no more and no less. Pleasure that gets steadily worse is an extra-special kind of hell.

>I like how her statue is completely different to what she's obviously feeling.
I like to think of it as an extra layer of aesthetics and security. Like, a statue of some pretty lady screaming in terror? Not many people would like to look at that, and it's that much more likely to arouse suspicion from would-be rescuers. But some big, goofy smile? Nobody will bat an eye.
Plus the cruelty, of course. Be sure to give her a mirror once she's done, let her know how happy she looks.