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Once Upon a Time ... in Hollywood
Quentin Tarantino, 2019
Leonardo DiCaprio dances on a white television set surrounded by dancers dressed in matching white outfits and boots. DiCaprio is holding a cigarette and there are large orange letters partially visible in the background.
Like Martin Scorsese’s New York or Federico Fellini’s Rome, Quentin Tarantino’s Los Angeles is a thing to behold: The director’s fevered love letter to his hometown circa 1969 is a gonzo-maximalist dream, encompassing a fictional fading TV star (Leonardo DiCaprio), his laconic stuntman-sidekick (Brad Pitt), a passel of Manson family freaks and the very real starlet Sharon Tate (played as pure blond sunshine by Margot Robbie). From there, the script breaks with established history, building to one of the most bravura and far-out finales in film history.
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Once Upon a Time ... in Hollywood
Quentin Tarantino, 2019
Leonardo DiCaprio dances on a white television set surrounded by dancers dressed in matching white outfits and boots. DiCaprio is holding a cigarette and there are large orange letters partially visible in the background.
Like Martin Scorsese’s New York or Federico Fellini’s Rome, Quentin Tarantino’s Los Angeles is a thing to behold: The director’s fevered love letter to his hometown circa 1969 is a gonzo-maximalist dream, encompassing a fictional fading TV star (Leonardo DiCaprio), his laconic stuntman-sidekick (Brad Pitt), a passel of Manson family freaks and the very real starlet Sharon Tate (played as pure blond sunshine by Margot Robbie). From there, the script breaks with established history, building to one of the most bravura and far-out finales in film history.
More Tarantkino
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