Even in punk's heyday he obviously wanted to be a teen idol, but back then he couldn't very well admit that his hero was Elton John. Yet here he is with Kiss's manager and an album that rocks as hard as the first side of Caribou--for three cuts, including a hit single and "White Wedding," a call to innocence regained as desperate and persuasive as "Start Me Up." If he could keep it going I'd be happy to buy my pop from a phony, but neither Burundi beats nor overzealous voice practice do anything but accentuate the jaded professionalism that takes over. B