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3/23/2025, 4:58:57 PM
>>11258104
>What sort of thoughts do anons prefer their statues to have?
It depends. If they're conscious I prefer them to either be in a sort of euphoric, dream-like state, or fully conscious and exposed to constant stimulation of some kind. Being left in a place where they're constantly groped and fondled, or being left in a state of permanent orgasm (or worse, being left permanently right on the edge of an orgasm). Being posed somewhere and constantly glazed with cum (with a nice target painted over the more degrading places to hit), or incorporated into some form of infrastructure like a fountain. If they're left fully conscious and unstimulated it just feels too much like I Have No Mouth And I Must Scream.
But I also like when it's never mentioned. They do a whole build-up to them being petrified. We see them going about their life, being captured, hauled in and tightly bound. They have their fate explained to them at length by the captors, and are forced to watch it happen to others. We see them react to getting stripped and posed and hauled in front of whatever's about to petrify them. We see their thoughts and hear their very last words and struggles and expressions right up until they're fully stone...
And then nothing. The perspective switches over to the captors. We can't read the victim's thoughts or hear them say anything. They're fully an object now. It doesn't matter what they're thinking or feeling, or even if they are. Barely a page is wasted showing them in their new position, after all this pre-petrification exposition, and then it switches over to the newest victim. No point focusing on a lump of solid rock. Maybe they'll appear in the background of another story, eventually. Purely as set dressing.
>What sort of thoughts do anons prefer their statues to have?
It depends. If they're conscious I prefer them to either be in a sort of euphoric, dream-like state, or fully conscious and exposed to constant stimulation of some kind. Being left in a place where they're constantly groped and fondled, or being left in a state of permanent orgasm (or worse, being left permanently right on the edge of an orgasm). Being posed somewhere and constantly glazed with cum (with a nice target painted over the more degrading places to hit), or incorporated into some form of infrastructure like a fountain. If they're left fully conscious and unstimulated it just feels too much like I Have No Mouth And I Must Scream.
But I also like when it's never mentioned. They do a whole build-up to them being petrified. We see them going about their life, being captured, hauled in and tightly bound. They have their fate explained to them at length by the captors, and are forced to watch it happen to others. We see them react to getting stripped and posed and hauled in front of whatever's about to petrify them. We see their thoughts and hear their very last words and struggles and expressions right up until they're fully stone...
And then nothing. The perspective switches over to the captors. We can't read the victim's thoughts or hear them say anything. They're fully an object now. It doesn't matter what they're thinking or feeling, or even if they are. Barely a page is wasted showing them in their new position, after all this pre-petrification exposition, and then it switches over to the newest victim. No point focusing on a lump of solid rock. Maybe they'll appear in the background of another story, eventually. Purely as set dressing.
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