Promise [Portrait, 1986]
Even when it's this sumptuous, there's a problem with aural wallpaper--once you start paying attention to it, it's not wallpaper anymore, it's pictures on the wall. And while as a wallpaper these pictures may be something, they can't compete with the ones you've hung up special. That's why I prefer my aural wallpaper either so richly patterned you can't see past the whole (Steve Reich's Music for 18 Musicians) or so intricately worked you can gaze at the details forever (Eno's Another Green World). In between I'll take Julie London. B