>>106020837
>>106020837
The bitmap rendering of Georgia is superior than Ari*l, Segoe or any other subpar font that looks like shit. Its placement of every single pixel is intelligently positioned, nothing is wasted, cluttered or out of proportion. The traditional serifs are retained for better shape recognitions and appeal while still remains easy to comprehend and compact. The x-height is massive in comparison with anything else, providing better visibility afar in low resolution screens. It is aesthetically pleasing, friendly to the eyes, sophisticated and elegant, doing the impossible by still preserving serifs even at 11px. Georgia stands as the absolute perfect arrangement out of all possible positions in a 7x11 bitmaps grid, every single font from 9px to 15px scale should automatically default to the sequences of pixels currently displaying, it's a solved solution, everything else is inferior to its morphology:

Arial is a cluttered and terribly designed mess, being of the soulless sans-serif type means nothing prevents pixels from literally being separated by just a hair and bunching up at bitmap level. Uneven spots ravage the type like ink spills, drawing attention to themselves by being distinctly noisier than the rest of the text. Every single documents, paragraphs and messages unlucky enough to be rendered in it are doomed to be forever distracting to read. The bleeding occurs most frequently in the sequences: gg it tt, lt or ll and many more, 15% in English. The kerning is also shit, letters literally touch each other frequently. Times News Roman is also terrible, shapes are passable but its kerning is utter garbage and ruins anything good about it at bitmap level. Tahoma and a few others are the only ones that render accordingly with nothing touching each other, but theyre soulless sans-serifs and somehow waste more space than serif Georgia. The only gripe against it is that few of the full Latin table is missing, but nothing else. Switch to Georgia