>>5086609
For chained-up Furiosa:
>Candid set-photo from behind-the-scenes of a postapocalyptic action movie. Photo of beautiful Anya Taylor-Joy as a captured postapocalyptic heroine. the focus is on her face from a slightly high angle, she stands mounted to a metallic restraint-frame that is mounted on top of the roof of a car. Hi-resolution photography, taken on Canon-R, flushed face, blush, skin glistening with perspiration, skin-detail, long dark hair blowing dramatically in the wind, eyes glancing at the viewer as if attracted to the viewer, striking eyes, dressed in light-grey chest-wrap of gauze fabric, three stacked leather belts, and a tattered off-white hi-cut loincloth, black welding-goggles around her neck, black engine-oil face-paint is smeared on her forehead, daring scanty patched postapocalyptic fashion smeared with engine-oil that provocatively showcases her beautiful figure; arms behind her back, restrained to the metal frame, extremely wide stance, unshod, crisscrossed-chains wrapped tightly around arms and torso and legs and around the frame, tying them to the frame, padlocks, (tied to the frame with the rusted chains; sturdy buckled old restraint-straps on arms and legs secure them directly to the frame), standing atop the wide roof of a Mad-Max car festooned with spikes - the frame is welded directly to the top of the car's roof, in the desert on a bright sunny day. beads of perspiration, eyelashes. fisheye effect, desert sands. The photo shows her from side profile, from-side view, taken from a dramatic angle, as she stands back against the frame. slight fisheye effect. Rusty scuffed metallic surfaces. Bright sun in the sky (lens-flare). Postapocalyptic cars festooned with spikes are driving by beyond, which we see in-motion (depth of field; motion-blur).
For the x-shaped restraints, specify: 'arms raised' and 'x-shaped restraint-cross' (although it struggles trying to fit it all in frame)
And please share what you make with it :)