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7/4/2025, 7:57:24 PM
>>126922533
Cadences are something that Scriabin refused to employ in his later works, thus leaving the listener unsatisfied. The whole concept of suppressing the climaxes becomes a matter of postponing, instead of achieving a release - a much more powerful experience, according to Scriabin. His Fifth Sonata, for instance, doesn't really have any 'clean' chords, i.e. chords without some sort of an augmented or diminished note attached to them. This creates an illusion of the piece floating in the air, unresolved. Hence the entire work becomes one giant build-up on the verge of a sexual climax lasting around 12 minutes.
Cadences are something that Scriabin refused to employ in his later works, thus leaving the listener unsatisfied. The whole concept of suppressing the climaxes becomes a matter of postponing, instead of achieving a release - a much more powerful experience, according to Scriabin. His Fifth Sonata, for instance, doesn't really have any 'clean' chords, i.e. chords without some sort of an augmented or diminished note attached to them. This creates an illusion of the piece floating in the air, unresolved. Hence the entire work becomes one giant build-up on the verge of a sexual climax lasting around 12 minutes.
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