Where some "eclectic" rock and rollers brim with sheer experimental joy, Benatar is sodden with try-anything-once ambition. From showbiz "hard rock" ("Heartbreaker") to big-beat "cabaret" ("Don't Let It Show") to received "futurism" ("My Clone Sleeps Alone") to fake-Blondie "Eurodisco" ("We Live for Love"), she shows about as much aesthetic principle as Don Kirshner. Though she does have a better voice than Kirshner. C+