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6/29/2025, 8:46:51 PM
>>17801148
>Later in the Metamorphoses, Ovid refers to the Gigantomachy as: "The time when serpent footed giants strove / to fix their hundred arms on captive Heaven". Here Ovid apparently conflates the Giants with the Hundred-Handers, who, though in Hesiod fought alongside Zeus and the Olympians, in some traditions fought against them
>The Gigantomachy was depicted on the new peplos (robe) presented to Athena on the Acropolis of Athens as part of the Panathenaic festival celebrating her victory over the Giants, a practice dating from perhaps as early as the second millennium BC. The earliest extant indisputable representations of Gigantes are found on votive pinakes from Corinth and Eleusis, and Attic black-figure pots, dating from the second quarter of the sixth century BC (this excludes early depictions of Zeus battling single snake-footed creatures, which probably represent his battle with Typhon, as well as Zeus' opponent on the west pediment of the Temple of Artemis on Kerkyra (modern Corfu) which is probably not a Giant)
>With the beginning of the fourth century BC probably comes the first portrayal of the Giants in Greek art as anything other than fully human in form, with legs that become coiled serpents having snake heads at the ends in place of feet. Such depictions were perhaps borrowed from Typhon, the monstrous son of Gaia and Tartarus, described by Hesiod as having a hundred snake heads growing from his shoulders. This snake-legged motif becomes the standard for the rest of antiquity, culminating in the monumental Gigantomachy frieze of the second century BC Pergamon Altar. Measuring nearly 400 feet long and over seven feet high, here the Gigantomachy receives its most extensive treatment, with over one hundred figures
>Later in the Metamorphoses, Ovid refers to the Gigantomachy as: "The time when serpent footed giants strove / to fix their hundred arms on captive Heaven". Here Ovid apparently conflates the Giants with the Hundred-Handers, who, though in Hesiod fought alongside Zeus and the Olympians, in some traditions fought against them
>The Gigantomachy was depicted on the new peplos (robe) presented to Athena on the Acropolis of Athens as part of the Panathenaic festival celebrating her victory over the Giants, a practice dating from perhaps as early as the second millennium BC. The earliest extant indisputable representations of Gigantes are found on votive pinakes from Corinth and Eleusis, and Attic black-figure pots, dating from the second quarter of the sixth century BC (this excludes early depictions of Zeus battling single snake-footed creatures, which probably represent his battle with Typhon, as well as Zeus' opponent on the west pediment of the Temple of Artemis on Kerkyra (modern Corfu) which is probably not a Giant)
>With the beginning of the fourth century BC probably comes the first portrayal of the Giants in Greek art as anything other than fully human in form, with legs that become coiled serpents having snake heads at the ends in place of feet. Such depictions were perhaps borrowed from Typhon, the monstrous son of Gaia and Tartarus, described by Hesiod as having a hundred snake heads growing from his shoulders. This snake-legged motif becomes the standard for the rest of antiquity, culminating in the monumental Gigantomachy frieze of the second century BC Pergamon Altar. Measuring nearly 400 feet long and over seven feet high, here the Gigantomachy receives its most extensive treatment, with over one hundred figures
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