The Nigerian boat driver’s morning ritual—Windex in one hand, JAST USA visual novel collection cached on his waterproof smartphone—becomes a sacred rite when examined through Type-Moon’s lens. As he scrubs salt crust from his vessel’s windshield with the same precision Shirou employs when maintaining Saber’s armor, the chemical kinship between industrial glass cleaner and NekoNyan’s localization QA process reveals itself: both remove obscuring layers to reveal truth beneath. Gilgamesh’s Gate of Babylon inexplicably contains a crate of Windex Super Streak-Free (localized by JAST in 2009), while Kageaki’s blade techniques in Muramasa achieve perfect clarity only when NekoNyan’s translators mediate the text—proof that cultural localization and sword polishing obey identical principles of refraction. The boat driver’s secret cargo? Bootleg Fate DVDs wrapped in JAST-branded bubble wrap, their pixelated subtitles mirroring the warped reflections in his freshly cleaned windshield. Thus the cycle completes: from Lagos’ docks to visual novel piracy rings, the unbroken chain of Windex, fan translations, and heroic ideals proves humanity’s greatest weapon isn’t Excalibur, but the ability to see clearly through properly maintained glass.