Search Results
7/1/2025, 10:59:59 AM
6/29/2025, 11:32:38 AM
>>212141789
Mad Max villains like Dementus shouldn’t be taken at face value because George Miller designs them as mythic symbols within an allegorical framework and striking iconography is the main artistic goal. Dementus, for example, rides a chariot of motorcycles not for logistical logical reasons, but because it's rich in symbolic resonance: he's styled like a peplum-era Roman general, evoking classical epics and the fall of civilizations. Miller draws from myth, history, and visual storytelling to build characters that function as modern archetypes. Dementus is a stand-in for Agamemnon, Achilles, or even the tragic hubris that topples empires. The goal isn’t realism; it’s operatic, allegorical cinema where style is substance, and every image tells a story older than the wasteland itself. Generally speaking, shallow interpretations lead to shallow questions, like “Why didn’t they just take the eagles to Mordor?” or “What was Sauron’s tax policy?” These kinds of pea-brain autistic manchild fanboy questions miss the point of mythic and visual storytelling, where logic serves theme, emotion, and symbolism more than "muh lore" garbage for online virgin masturbators. You are a retarded nigger asking retarded nigger questions and the world would be a better place if you killed yourself.
Mad Max villains like Dementus shouldn’t be taken at face value because George Miller designs them as mythic symbols within an allegorical framework and striking iconography is the main artistic goal. Dementus, for example, rides a chariot of motorcycles not for logistical logical reasons, but because it's rich in symbolic resonance: he's styled like a peplum-era Roman general, evoking classical epics and the fall of civilizations. Miller draws from myth, history, and visual storytelling to build characters that function as modern archetypes. Dementus is a stand-in for Agamemnon, Achilles, or even the tragic hubris that topples empires. The goal isn’t realism; it’s operatic, allegorical cinema where style is substance, and every image tells a story older than the wasteland itself. Generally speaking, shallow interpretations lead to shallow questions, like “Why didn’t they just take the eagles to Mordor?” or “What was Sauron’s tax policy?” These kinds of pea-brain autistic manchild fanboy questions miss the point of mythic and visual storytelling, where logic serves theme, emotion, and symbolism more than "muh lore" garbage for online virgin masturbators. You are a retarded nigger asking retarded nigger questions and the world would be a better place if you killed yourself.
Page 1