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6/12/2025, 8:15:40 PM
There is no real saving the existing comic runs.
All of them carry 80 years of history, requiring you to read tens of thousands of unorganised and hard to find back issues to really understand the full story of any title.
No amount of rebooting/new #1's can fix this. It is baggage, and it is a major obstacle to any potential new reader.
New comics must be made.
To avoid repeating the mistakes of the past, these new comics will follow the following rules:
>1) No multiverse/crossovers
All new IP's will be self contained. Anything you need to know about the comic must be found in the comic, allowing it to be read in isolation as a self contained item.
>2) No changes in artist or writer
Each series will have a set staff that draws the characters, writers the story, etc the whole production, and this must not change. Think of this like changing an actor in a movie midway through, you never want to do it.
>3) The role of the editors shall be reduced drastically
They must serve only as an advisor, and not be part of the creative team. Their job is to ensure comics meet quality standards, regulatory standards, and fit the target audience of the publisher.
>4) Produce comics that meet a target audience of males aged 13-25,
i.e. you do not have to make a superhero comic, nor follow a set art style or writing style, but can instead produce any kind of comic that the target audience may be interested in.
All of them carry 80 years of history, requiring you to read tens of thousands of unorganised and hard to find back issues to really understand the full story of any title.
No amount of rebooting/new #1's can fix this. It is baggage, and it is a major obstacle to any potential new reader.
New comics must be made.
To avoid repeating the mistakes of the past, these new comics will follow the following rules:
>1) No multiverse/crossovers
All new IP's will be self contained. Anything you need to know about the comic must be found in the comic, allowing it to be read in isolation as a self contained item.
>2) No changes in artist or writer
Each series will have a set staff that draws the characters, writers the story, etc the whole production, and this must not change. Think of this like changing an actor in a movie midway through, you never want to do it.
>3) The role of the editors shall be reduced drastically
They must serve only as an advisor, and not be part of the creative team. Their job is to ensure comics meet quality standards, regulatory standards, and fit the target audience of the publisher.
>4) Produce comics that meet a target audience of males aged 13-25,
i.e. you do not have to make a superhero comic, nor follow a set art style or writing style, but can instead produce any kind of comic that the target audience may be interested in.
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