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6/19/2025, 9:38:26 PM
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>The meeting room on the first floor was also used for post-show meetings and interviews. The program posters that were on display at the time have been reproduced as much as possible. In the early days, when the production manager, Mr. Numao, saw the staff crammed into a meeting and working hard, he couldn't bear to see it and brought in a Nishimugi bento lunch.
>The room on the left on the second floor is a vestige of the original resting room for the residents. In the miniature, Mr. Arakawa is sitting on the sofa in the foreground, but at the time, the person who used this room the most was Mr. Murayama, whose home was far away. He would sometimes stay there for up to a month at a time, and at night he would distribute mail surrounded by piles of cardboard boxes in the receiving room.
>The second floor is the Grongi room, and it is said that the name comes from the fact that it was a kind of "hideout" where the literary team would go drinking, but it is not certain. The miniature recreates the scene of a late July day when Arakawa was taking a nap on the sofa after a meeting at dawn. Takadera and his team were summarizing the results of the meeting, and Odagiri dropped by during a break in filming. The usual work of waiting for the plot and script to be completed was also done here, with Takatera handling administrative matters and revising designs, Oishi supervising publications, and Murayama mainly working on compiling the story calendar and Grongi-related designs.
>The stairs leading up to the Grongi room are unstepped, a style often seen in old houses, and recall the time when this building was constructed in the 1950s. On the doorknob of the Grongi room on the second floor, production desk staff member Ome Yuko would often hang her leftover lunches on the doorknob, saying "for the literary team who are out of clothes," but when the meetings got heated, she would not notice, and in the winter the curry lunches would freeze solid.
Left to right
>The meeting room on the first floor was also used for post-show meetings and interviews. The program posters that were on display at the time have been reproduced as much as possible. In the early days, when the production manager, Mr. Numao, saw the staff crammed into a meeting and working hard, he couldn't bear to see it and brought in a Nishimugi bento lunch.
>The room on the left on the second floor is a vestige of the original resting room for the residents. In the miniature, Mr. Arakawa is sitting on the sofa in the foreground, but at the time, the person who used this room the most was Mr. Murayama, whose home was far away. He would sometimes stay there for up to a month at a time, and at night he would distribute mail surrounded by piles of cardboard boxes in the receiving room.
>The second floor is the Grongi room, and it is said that the name comes from the fact that it was a kind of "hideout" where the literary team would go drinking, but it is not certain. The miniature recreates the scene of a late July day when Arakawa was taking a nap on the sofa after a meeting at dawn. Takadera and his team were summarizing the results of the meeting, and Odagiri dropped by during a break in filming. The usual work of waiting for the plot and script to be completed was also done here, with Takatera handling administrative matters and revising designs, Oishi supervising publications, and Murayama mainly working on compiling the story calendar and Grongi-related designs.
>The stairs leading up to the Grongi room are unstepped, a style often seen in old houses, and recall the time when this building was constructed in the 1950s. On the doorknob of the Grongi room on the second floor, production desk staff member Ome Yuko would often hang her leftover lunches on the doorknob, saying "for the literary team who are out of clothes," but when the meetings got heated, she would not notice, and in the winter the curry lunches would freeze solid.
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