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7/12/2025, 7:42:29 AM
>Brostep is one of the most offensive things to happen to music in recent memory, second only to Robin Thicke's career. It's so offensive it's a Cards Against Humanity expansion pack.
>It is hard to think of a statement or policy position that can be more offensive than Brostep. If you've ever held the view that black people were better off as slaves, or that women should earn less than men because they're weaker and less intelligent, or that sex with children is okay as long as the child consents, then your views are hot garbage -- Brostep may be right for you. You are almost as offensive as the music.
>It's terrifying how much Brostep resembles a plague. For one, it is inherently parasitical. It has no native essence by itself. Much like a virus, which cannot survive on its own and must propagate by taking over living cells and rewrite their DNA to produce more viruses, Brostep is a fiercely aggressive sound assault that thrives on invading existing music and implant itself as the song's hook (or in Brostep terminology "the drop"), which comes out sounding like the audio equivalent of a cancerous growth (especially if you hear one of those stage 4 drops).
>Brostep is a herpe sore on the upper lip of electronic music. It is loud, crude, violent, misogynistic, moloko plus-fueled, underage gang rape music. It is self-entitled, come-at-me-bro, white nationalist, jersey shore douchebag elbowing you in the face music. It is homophobic, transphobic, chauvinistic, baseball hat wearing, alt-right MRA calling you a cuck on Twitter music.
>Brostep is not even technically music. It is a music technique, a short-snippet audio aesthetic that is barely enough to constitute a genuine genre. It is jacked up on texture, timbre, resonance and blistering midrange frequencies rather than actual harmony, melody and rhythm.
>It is hard to think of a statement or policy position that can be more offensive than Brostep. If you've ever held the view that black people were better off as slaves, or that women should earn less than men because they're weaker and less intelligent, or that sex with children is okay as long as the child consents, then your views are hot garbage -- Brostep may be right for you. You are almost as offensive as the music.
>It's terrifying how much Brostep resembles a plague. For one, it is inherently parasitical. It has no native essence by itself. Much like a virus, which cannot survive on its own and must propagate by taking over living cells and rewrite their DNA to produce more viruses, Brostep is a fiercely aggressive sound assault that thrives on invading existing music and implant itself as the song's hook (or in Brostep terminology "the drop"), which comes out sounding like the audio equivalent of a cancerous growth (especially if you hear one of those stage 4 drops).
>Brostep is a herpe sore on the upper lip of electronic music. It is loud, crude, violent, misogynistic, moloko plus-fueled, underage gang rape music. It is self-entitled, come-at-me-bro, white nationalist, jersey shore douchebag elbowing you in the face music. It is homophobic, transphobic, chauvinistic, baseball hat wearing, alt-right MRA calling you a cuck on Twitter music.
>Brostep is not even technically music. It is a music technique, a short-snippet audio aesthetic that is barely enough to constitute a genuine genre. It is jacked up on texture, timbre, resonance and blistering midrange frequencies rather than actual harmony, melody and rhythm.
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