>>7791490
There's definitely an excess of artists trying to make every page the most dramatic page ever.
From what I've heard, comic artists tend to make more money selling prints of their inks in isolation rather than the pay they get from the actual comic. So there is an incentive to make each page a marketable poster of their ink work.
And it's only the ink work, not the finished page as a whole. So there's even incentive for the artist to go all out on the inks with absolutely no regard to what the colours will be.
This has the negative effect that so many pages in comics feel lifeless, it's just page after page of the characters making dramatic poses, but the actual story and sense of immersion has been sidelined.
It also has the negative effect that the lines totally overstep and begin doing what the colorist ought to be doing.
pic related is a nice image, but the colorist, even though he appears to be quite amaeturish, has the ability to render the light and shadows of this image. The inker did not need to add so many hatched lines on the faces, the colorist could have handled that. And the combination of digital rendering and traditional inks is a muddled look that often makes the characters look like they're covered in soot.