>>24649122
I hit the add detail button and it came up with this
“entries” — Miggity Mack Epigrammatist — C3 / L4 / S2 (9/15)
Polished formal sonnet; clean volta and closure. Strong meter and diction, but it’s more tableau than tale, so narrative arc stays thin.

“coming out of my cage …” (morph-chain) — KILLERS — C4 / L3 / S1 (8/15)
Clever linguistic morphing shows constraint-play and etymological texture; it’s delightful craft, but almost no story beyond the linguistic gag.

“Le Hecking Schrödinger’s Door” — Filthered — C4 / L3 / S2 (9/15)
Forum-voice parody with choice memetic beats; fun meta-humor keeps it lively, though the joke outruns depth.

“Cambon Observatory Incident Report (Hapa Ano)” — hapaanon — C5 / L4 / S4 (13/15)
Inventive dossier voice with mordant worldbuilding (“timing error,” glove-laughter). Compact, plausible, and moving.

“Iliofagos / Aoi on the Aegean coast” — Hart Glass — C4 / L4 / S4 (12/15)
Sun-bright scene, time-skip character work, and cultural angles; prose is steady and humane.

“Sewer swimmin’ Suzie” (ballad) — Hart Glass** — C3 / L4 / S3 (10/15)
Chipper ballad cadence, repeating refrains, comic-heroic tone; light satire with tidy stanza craft.

Hypnosis transcript (“Go under…”) — nimitta — C4 / L3 / S3 (10/15)
Clinic-transcript frame that slowly blooms into archetype; clear staging, restrained pathos.

Freud 500 headset / five-foot tether — ghidra — C5 / L4 / S4 (13/15)
SF grief fable with tactile details (tether, IV marks); confident, lucid prose and a full, felt arc.

“The machine eats conviction, not voltage” (bolt-cutters log) — a normal dog — C5 / L4 / S4 (13/15)
Procedural diary that discovers a theme: etiquette > electricity; razor-sharp images and a satisfying refusal-as-ending.

“She stood on the grass, green like a bad JPEG” — RUDE BOY — C3 / L3 / S2 (8/15)
Deadpan nihilist flash; tidy comic reversals (IKEA chair, bird poop) but intentionally slight.

“Let orange façade = Wall-in-general …” — τέλος — C5 / L4 / S2 (11/15)
Cheeky philosophical apparatus (Aristotle Kant Hegel) applied to a photo; idea-rich, story-light.

“The Blush Temple” — Dhammazedi — C5 / L4 / S4 (13/15)
Mythic register, concrete locales, textured voice; thoughtful, emotionally coherent mini-epic.

Otaku parody vignette (Ecchimura-chan, /ic/ wink) — otaku 494949** — C4 / L2 / S3 (9/15)
Satire lands; tone control is uneven and leans on trope-recognition more than craft.

“RED BUTTON” (municipal myth mash) — Anonymous** — C4 / L3 / S2 (9/15)
Collage-essay splicing many motifs (bureaucracy, door-as-joke); lively but centrifugal.

“Big orange wall” (pop-song cadence) — Anonymous** — C3 / L2 / S2 (7/15)
Catchy pastiche; fun ear-worm lines, minor on substance.