See this?
This is it.
This is the film stock that most if not all of your favourite movies and any significant film of the 20th century was recorded on. Down the line for nearly half a century.
In order to get the absolute best that one can get out of the film, the most basic and first principals of making movies hasn't changed and that is understanding light. What it can do, what it can't do, and what stories can be told using its pros and cons. If there are ANY anons here that have even the slightest bit of interest in making films of your own or are passionate about movies, you have GOT to understand photography first and have a grasp of it. With the way things are going, having even the absolute bottom of the barrel understanding of it is and will put you at an advantage over everyone else and make your vision amazing to the eye.

It's not just lighting; its colour grading, its choice of lens, its depth of field, its shutter speed; hell, if you look closely above Billy Crystal's head, you can see what appears to be a scratch on the film negative in the skyline.

You're looking at two different pieces of technology; one is an evolution from still frame cameras using film and the other is digital cameras using pixels. Make no mistake, however; a lot of the differences in the two frames rest on the skill of the people involved who made it.