>>7771403
>more extreme angles.
don't worry we're all bad at it without ref lol (sweats)
but yeah Framed Ink will help you with that
There's also some compromise to be done which is tricky especially when you need to play with time. I think you still have a good idea of the delivery you want to go for regardless of the weaknesses, e.g. why you chose to have those 3 panels from that top down angle instead of doing something more dynamic. You wanted a fixed camera while this aggression played out. But you can't have 3 panels like that cause it starts feeling redundant. So you either have one long panel and then cut to her getting thrown off (no grab, it's implied) or you break it with something like this.
You can also play with light a bit like in the 4th panel I had the light cast charlee's shadow into the panel. the shine of the glasses can also be used to identify them, you don't need a whole panel to show they're on the floor.
basically cut everything that isn't strictly necessary, try to condense stuff into a single panel if you can
otherwise it's pretty good and of course when you are dealing with tricky perspective use ref. You can't get away with no ref for this kind of stuff especially when foreshortening is involved etc.