>>215225251
I liked The Walk. But he fell off right after, I can even go film by film.
>Allied
Awkward and generic WW2 spy movie that might as well have been made in 1945.
>Welcome to Marwen
Here where it gets ridiculous for Zemekis. So IRL some sodomite got drunk and told a bunch of other drunks in a bar that he likes to crossdress and they beat him up (as you do when you see a disgusting faggot freak near you, they all deserve death). He became amnesiac and started making installations out of plastic dolls. IRL the group of men that beat the fag was diverse, but Zemekis turns them into a group of white neo-nazis. He also makes the installations the poofter made into nightmarish CGI fantasy sequences, it's uncanny valley galore and this is where Zemekis really got onto that weird "i need to cram in as many nightmarish CGI shots with a wide angle lens as possible!" phase. On top of that it's also tone-deaf and incredibly fucking sappy.
>Witches
A useless remake of a classic that doesn't even change that much and as I already said is part of the Zemekis phase with uncanny CGI and wide angles.
>Pinnochio
Was adequetly critiqued on this board already, useless remake, shit sniffing, bald nigger fairy and Disney let Zemekis have artistic freedom on one thing and that's the already mentioned CGI and wide angle crap.
>Here
The idea of that comic that takes in one room and kinda shows it through time through snippets and comic panels is neat, the original comic is great. It could've made for a decent experimental short by someone with a sense of taste. Instead Zemekis turns it into a Tom Hanks sap-fest, and while the sentimental plotlines are bearable the movie is overlong, the concept wears off and it doesn't help that the editing on the "panel" visual element looks like it's a PowerPoint presentation, not executed well.
