>>723809686
It's not awful but it's really interesting. Same directors worked on Soul Hackers 2 if you played that.
A good pitch would have either been a game set in fantasy medieval land where the power of song was used to invoke power from mythology and drawing parallels between it and magics, or to have a modern day apocalypse setting where music calls upon mythical heroes from the past and talks about our perception of legends. Instead they decided to make a love letter to otaky culture and the Japanese idol industry.