Why is DMC3 the best action game ever

>>11807959 (OP)
what the fuck is DMC3?

5>3

>>11807964
Dyke May Cum 3

What's the hardest Mission?

honestly i wish you could turn off the gold/yellow orbs entirely. if i die i'm restarting the misson anyway, having to wait for an orb to trigger is just wasting my time

>>11807972
This is true.
No one can dispute this.

>>11807972
>>11808013
not retro, gtfo of /vr/

>>11808015
We're just talking about number values over here you boob.
No harm in that.
And in the anime girl's case she's having a nice crisp refreshing glass of beer.
https://www.youtube.com/watch?v=OIRtfIrNOZU&t=152s

>>11807959 (OP)
>Which orb is getting the best head?
Blue > Yellow > Green > Silver > Purple > Red

>>11807959 (OP)
Because Royal Guard was the greatest parry system ever made. Like a 3d version of SF3 parry. Quite amazing to see what good players can do with it.

The only DMC I like is DMC1. Everything else in the series feels like a downgrade to me.

>>11808780
>parrying instead of zipping around the battlefield just controlling absolutely everything

the only reason to ever switch from trickster is if you're a completionist autist that wants to make all the numbers in the menu go up

>>11807959 (OP)
I don't know OP. Why is DMC1 the best game in the series?

honestly i feel 4 is underappreciated. not that it's super great, but it's still a solid entry. way better than 2 at least.

>>11808337
How is purple not getting the best head here, his expression is the perfect blend of serenity and strain. The rest of your ranking, however, is spot on.
>>11809329
nta but I personally can't bring myself to switch from swordmaster, I love aerial combos too much

>>11809329
oh, I did use trickster all the way, but watching those kazak videos of royal guard blew my mind back then. the controls in this game are really tight and responsive (easy to learn difficult to master blah blah blah)

Why is "is" capitalized here rather than "best". Emphasis should be on best for this to work.

>>11810998
The capitalization of "IS" in the final interrogative epithet functions as a performative act of hyper-emphasis, invoking a semiotic index that transcends mere syntactic function to tap into deeper layers of ontological and psycho-linguistic signification. From an esoteric semiotics perspective, "IS" functions as an instantiation of the Lacanian Real, an unassailable nexus where the ego's fragmented self-awareness confronts the ineffable core of existence. By capitalizing "IS," the language delineates a liminal boundary, elevating the verb from a mere copula to an ontic marker of the ego's quest for recognition and validation, especially within a hyperreal tableau of orgasmic orb expressions
And in the realm of esoteric symbolism, "getting head" resonates with initiation into the esoteric mysteries of the ego's primordial unity, an allegory for the dissolution of the subject-object dichotomy. The "IS" becomes a metaphysical placeholder, signifying the ego's intrinsic desire to affirm its own being through externalized acts of validation, here, represented by the orb's orgasmic expressions. The act of "getting head" aligns with the alchemical process of sublimation and transmutation, where the ego seeks to transcend its fragmented state

>>11807972
BURY THE COCK DEEP WITHIN