>>279909512Nah. The problem isn’t that Demon Slayer has flashbacks, it’s that they suck. They’re overused, melodramatic, and drop in the middle of climactic scenes like emotional speed bumps. “Here’s a 3-minute tragic backstory for demon #47 right as his head is flying off.” We get it, every demon had a sad life. But when it happens every single arc with the same tearjerker piano and recycled trauma tropes, it becomes emotional spam. Western audiences can absolutely handle slow moments IF THEY’RE EARNED. Want proof?
Breaking Bad is slow as fuck at times. Huge hit.
The Sopranos is mostly psychological tension and dialogue.
Even Attack on Titan had multi-episode lore dumps. People loved it.
It’s not that Demon Slayer is too “slow” or “deep.” It’s that it’s boring as shit when it slows down. There's a difference.
>The last season was considered terrible because it didn’t have any fights.Wrong. It was considered terrible because *nothing happened*. There was no tension. No character development. The bad guy sat around being edgy, MC did his MC thing and yhe pacing was glacial. It was filler in all but name. You could’ve skipped the entire season and missed nothing. That’s not a lack of fighting, that’s a lack of storytelling.
>Western audiences like shows that give them a constant dopamine hit. Why do you think solo leveling was so popular?Meanwhile, Western audiences are the same ones obsessing over:
>Vinland SagaA slow-burn, introspective anti-war epic.
>Hunter x HunterA carefully crafted story about the exploration of human nature, the meaning of life, and the complexities of relationships.
>MonsterBasically anime Dostoevsky.
>Steins;GateTime travel, psychological loops, science babble, and minimal action.
So no, Westerners not dopamine-addicted retards. They just don’t clap for mediocrity.