>>281132205
Not really, this decade is really lacking in identity.
So far from what I analyzed I'd say the biggest difference is somewhat of a shift among top studios.
Madhouse, IG and Bones used to have one massively mainstream anime every year if not every season. Nowadays Madhouse really transitioned towards more risky production and reduced their output, IG and Wit have branched off and Wit really is on their manglobe phase of making originals and adapting weird shit. Bones have just fallen out of relevancy after dedicating too much time in their big franchise like MHA and BSD.
Most evident change is obviously KyoAni who used to define the zeitgeist every year or so but since the arson incident right at the end of last decade they have made 2 shows and one is airing rn.
Now the most prevalent studio are Mappa and cloverworks really shitting out multiple anime a year with often great success. Unlike A1, cloverworks team really trying to be more bold in their production, A1 really was the shitty LN and romcom studio and cloverworks adapts really underground shit and gives them a huge spotlight, bocchi and akebi both came out of fucking nowhere with absurd quality.
Some new studios have emerged like Bind with distinctive value in their adaptations. Ufotable have transformed the discourse around animation with their dogshit 3d assets and camera creating a whole new generation of retarded kids who thinks "i cant understand shit so its good" you can find in modern one piece or jjk.
2010s was kind of a golden decade in just absurd amount of shows finding success by appealing through a wide variety of niches, really any genre could be popular. Nowadays the big shows are few and far between but they dominate the western sphere, oshi no ko, frieren, solo leveling, dandadan, usually only one show is FOTM and people really focus on it, even on /a/.
