>>33357861Wonderful, you're actually doing it the smart way. I was concerned you were one of those who attempted to brute-force Fantasie-Impromptu after two weeks of memorizing River Flows In You from synthesia videos before sustaining an injury, but you actually are a serious piano student. Congrats, WTC prelude no. 1 and Solfeggio are wonderful landmarks to reach after one year. I attempted to perform both last year in a formal setting, and kinda botched both, since performing in front of an audience is way harder than just playing at home.
When you get comfortable with intermediate repertoire, my personal recommendation is to spend a lot of time on Mozart's sonatas because:
>easy to learn, hard to master>harmonically straight-forward, but still masterpieces>they feature a wide variety of different technical requirements and will bullet-proof your technique>the music is so perfect and transparent that every minor imperfection in your technique is exposed sticks out like a sore thumb, leading to further refinement of technique>long, unbroken, beautiful, singing melodies that will force you to play with immaculate phrasing and dynamics, developing a singing tone to your playingHis easiest sonatas to get started with are
>no. 4 in Eb>no. 5 in G>no. 7 in C (this one is particularly amazing)>no. 16 in C (the famous sonata facile)>no 17 in BbMost students spend far too little time with Mozart, when he is perhaps the most useful for overall development, except for maybe Bach.
>>33358519Sure, it's the definitely easiest WTC piece to get started with by simply playing the notes, but to play beautifully with great dynamics, voicing and pedaling is not something just anyone can do instantly.