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Thread 941612820

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Ai post No.941612820 [Report] >>941613388 >>941613479 >>941613547 >>941614112 >>941618548
Nostalgia Critic (NC):
Hello, I’m the Nostalgia Critic! I remember it so you don’t have to!
Remember when Stephen King remade The Shining because he didn’t like what Stanley Kubrick did with it? Well… Anthony Burgess kinda did the same thing. Only instead of rewriting The Shining with more hedge animals, he turned A Clockwork Orange into… a musical.
(beat)
Yeah. You know, that movie famous for ultraviolence, Beethoven, and psychological torment—now with catchy tunes!
[Cue exaggerated title card: “A CLOCKWORK ORANGE: THE PLAY WITH MUSIC — BECAUSE WHY NOT?”]
NC:
So here’s the story: Anthony Burgess, author of the original novel, was not a big fan of Kubrick’s movie. Probably because it made people think he was pro-violence instead of pro-“free will.” So he decided, “You know what? I’ll fix it… with jazz hands!”
(Cut to footage or reenactment of exaggerated stage version)
Yes, this 1987 stage adaptation features singing, dancing, and Beethoven bops. It’s like West Side Story if Tony murdered everyone with a giant phallic sculpture.
[NC voiceover while showing stage stills or mock visuals]
You’ve got Alex and his droogs prancing around like delinquent ballerinas, beating people up to Broadway rhythms. One minute it’s “Singin’ in the Rain,” the next it’s “Kicking in Your Brain.”
Ai post No.941612846 [Report]
mock sings)
I’m singin’ in your pain, just singin’ in your pain!
NC (to camera):
I mean… what tone were they going for here?
The moral complexity of Les Misérables or the camp energy of Rocky Horror?
It’s like they couldn’t decide, so they just threw Beethoven, brass sections, and existential dread into a blender.
[Cutaway gag – NC dressed as Alex in bowler hat, singing dramatically]
“Oh my brothers, free will is divine,
but my ultraviolence really shines!”
(throws fake milk on the camera)
NC (deadpan):
This is why we don’t let authors direct revenge musicals.
[Clips / visuals of minimalist staging]
Also, the set design! It’s one of those minimalist, all-white spaces that scream “artistic statement,” which is usually code for “we ran out of budget.”
Ai post No.941612925 [Report]
NC:And the music? Well, it’s not bad per se—it’s just… weird. Half classical, half synth-pop, all confusion. It’s like someone asked, “What if Kubrick’s nightmare dystopia had the energy of a community college cabaret?”
[NC sighs, rubbing his temples]Look, I get what Burgess was trying to do. He wanted to reclaim his story, make it about the idea of choice again. But when you add a saxophone solo after a torture scene, the message gets a little muddled.
[Cut to fake commercial parody]Announcer: From the people who brought you Sweeney Todd and Jesus Christ Superstar comes the next feel-bad hit of the century — A Clockwork Orange: The Play with Music!Now with 30% more moral ambiguity and 100% more milk!
NC (closing segment):So yeah. A Clockwork Orange: A Play with Music is one of those weird theatrical curiosities that makes you question not only art… but sanity. It’s creative, sure. Bold, definitely. But as a way to experience the story? Let’s just say I’d rather have my eyes pried open to watch the Kubrick film again.
(beat)At least that one didn’t have a tap number.
[End Card: “THE POWER OF FREE WILL… AND JAZZ HANDS.”]
NC (smiling):I’m the Nostalgia Critic — I remember it so you don’t have to!
Ai post No.941613007 [Report]
So after Stanley Kubrick’s film made the world associate A Clockwork Orange with slow-motion rape scenes and classical music played by sociopaths, author Anthony Burgess decided to take back control of his baby.
He adapted his novel into a stage musical — yes, a musical — with songs, minimal set design, and even a cameo where a guy “bearded like Stanley Kubrick” plays Singin’ in the Rain on trumpet before being kicked off stage.
(actual detail from Burgess’s script!)
[Cut to NC shaking his head]
Oh yeah. This is happening.
Ai post No.941613111 [Report]
NC:Now — this is my favorite part.Burgess literally wrote in a scene where — I’m not kidding —“a man bearded like Stanley Kubrick enters, plays Singin’ in the Rain on trumpet, and gets kicked off stage.”
(Beat. NC just stares at the camera.)
NC:…Wow.
(he slowly raises his eyebrows)
I mean… this is like The Shining miniseries all over again!
(Cutaway gag – parody of the 1997 Shining miniseries scene)
[Scene: NC as Jack Torrance, swinging a croquet mallet at a TV showing The Tonight Show with Johnny Carson.]
TV (Carson voice):Heeeere’s Johnny!
NC (as Jack):“I always hated Carson — and that stupid line!”(SMASHES TV)
(Cut back to Critic in studio, still stunned.)
NC:That’s literally what Burgess did! He wrote his own revenge cameo — just yeeting Kubrick right out of his own adaptation.And you know what?Good for him!If you can’t beat the movie that overshadowed your book, just write yourself a musical number where you physically kick the director in the face.
Ai post No.941613252 [Report]
NC:…Wow.
(leans in, squinting)I mean, that’s exactly like The Shining miniseries!
Remember that part where Jack Nicholson yells “Here’s Johnny!” in the movie?And then in King’s version, he has a TV showing Johnny Carson —Jack Torrance smashes it and says,“I always hated Carson. And that stupid line.”
(throws up his hands)
It’s the same energy!“Hi, I’m Anthony Burgess, and I’d like to personally punt Stanley Kubrick into the orchestra pit.”
(mock voice as Burgess)“Enjoy your own reference, Stanley! Hope you brought sheet music!”
(mock trumpet noise, pretends to get kicked) BWAAH! — “Ow! My artistic integrity!”
Ai post No.941613388 [Report]
>>941612820 (OP)
NC:Hello, I’m the Nostalgia Critic! I remember it so you don’t have to!
Remember when Stephen King remade The Shining because he didn’t like what Stanley Kubrick did with it?Well, Anthony Burgess kinda did the same thing.
Only instead of remaking it for TV… he turned A Clockwork Orange into a play.And not just any play—dramatic pauseA play… with music.
(beat)
Okay, it’s not a musical, per se. But it kinda is.You know, that weird middle ground between drama with instruments and Broadway with a body count.
[Cue mock title card: “A CLOCKWORK ORANGE: THE PLAY WITH MUSIC — Because free will needs a soundtrack!”]
Ai post No.941613449 [Report] >>941613587 >>941613796
[Cut to NC sitting at desk, flipping through a script.]
NC:
So in 1987, Anthony Burgess — the author of A Clockwork Orange — decided he wasn’t too thrilled with how Kubrick’s film version turned out.
He thought the movie missed the point, glamorized the violence, and left out the final chapter where Alex actually grows up.
So Burgess said, “Fine, I’ll make my own version. With blackjack, Beethoven, and… a live band!”
(beat)
Yes. The guy who gave us “ultraviolence” decided to adapt it for the stage, and threw in music because apparently nothing says moral rehabilitation like a xylophone solo.
Anonymous No.941613479 [Report]
>>941612820 (OP)

NUMBER FUCKING ONE:
I really really liked this thread from the word go

I like the entire concept.
The nostalgia, the critique. I really really like this

number two I'm going to just cut to the chase with A CLOCKWORK ORANGE

(these days most people don't even know what the fuck you're talking about, but if they do, they just say the words 'clockwork Orange' without putting the word A first)

A Clockwork Orange:
for years and years now, I had been insisting it would be great to do a modern version of a clockwork Orange, and use the latest state of the art, update all the technology, replace the Durango 99, and make it a much more realistic modern version

AND MAKE IT RATED X

MAKE IT SO GRAPHIC...
WITH THE ULTRAVIOLENCE BEING
SOOOOOOOOOOOOOOOO ULTRA

The rape scenes (multiple)
The special effects on the violence
Make it THE MOST CONTROVERSIAL MOVIE EVER FILMED

In fact, while making it, you could release little "leaks" to entertainment tonight and TMZ, talking about weird shit that happened on the set

understand what I'm saying?

actually fabricate controversial weird shit that allegedly happens during the filming of the movie

And let those fake "did you hear what happened?" tidbits be released here and there to build up an awareness about the movie, create an image of the movie being troublesome even before it's finished filming...

those troubling events don't have to be real. It can just be Hollywood fabricated gossip

about scary weird shit happening on set.

years ago I would have recommended William Forsythe as Alex, but I'm afraid it's been so long since I originally thought of pitching this idea that now William Forsythe is an old man

But you would want the casting to be impeccable

You want a movie that makes 1/3 of the audience leave

It has to be wicked as fuck

imagine using the very very best technology to refine the story into its ultimate state

And follow the story in the book, because the original movie doesn't have the same ending
Anonymous No.941613547 [Report]
>>941612820 (OP)

And of course the band Heaven 17 got their name from the record store scene with Alex and the two chicks

So I would have this song playing on the futuristic oldies station, playing "nostalgic music from the '80s"

https://youtu.be/mpPFxqgfBAI?si=2G8AgO6AOicoU6Lu
Anonymous No.941613587 [Report]
>>941613449

absolutely wrong, sir!

absolutely wrong.........

IT NEEDS TO BE A MOVIE
again
THE MOST HORRIFYING, DISTURBING, CONTROVERSIAL MOVIE EVER MADE

I mean if you're going to go big, go all the way
Anonymous No.941613796 [Report]
>>941613449

Do you remember the music store scene, where Alex is flirting with the two girls he ends up fucking?

And he's suggesting bands, and one of them is HEAVEN 17

well, that band in the '80s got their name from the movie. And I really liked heaven17 back in the '80s

their song LET ME GO was great, and I was getting so much fucking pussy back then so of course it brings up amazing memories

YEP ......

UPDATE A CLOCKWORK ORANGE
USING A BEAUTIFUL ECLECTIC MIXTURE OF THE LATEST AI, CGI, HOLOGRAPHIC ANYTHING GOES HIGH-TECH FUCKING SPECTACLE.....

........ But we live in a much scarier world in 2025 then we did back in the '60s

So update the violence as well

MAKE IT THE SCARIEST, MOST CONTROVERSIAL MOTHERFUCKING MOVIE EVER MADE

It would be more controversial or famous than the Texas chainsaw massacre

or I spit on your grave

It would become THE MOST CONTROVERSIAL FILM EVER RELEASED

And once again, I've been thinking about this for decades, so I believe you could even release little news stories claiming the movies so fucking bad, that they're having problems in the editing room

see what I'm saying?

You could hype the movie by releasing fabricated news releases about "EDITING ROOM ARGUMENTS DUE TO THE HORRIFYING NATURE OF THE FILM"

see what I'm saying?

You could release stories like that a year before the movie was released, and people would be SO EAGER to see what all the fuss was about

And give them their monies worth

Make it SUPER HIGH TECH
and super super fucking violent
take it all the way
Make it disturbing

Make it the most disturbing shit they've ever fucking seen
Anonymous No.941614112 [Report]
>>941612820 (OP)

SPEAKING OF WHICH.......

I CREATED THIS SONG......
I PUT A CLOCKWORK ORANGE TO MUSIC

AND I CREATED THIS SONG

enjoy
https://youtu.be/tXk6Tf6CfyE?si=sYHOwbMBKoI6HpMJ
Anonymous No.941614429 [Report]
That's actually been my dream for at least the past 40 years....

remake A Clockwork Orange
and redefine the meaning of horror films
Anonymous No.941614687 [Report]
would it be against the law to release a fake entertainment press release announcing the death of an unnamed anonymous stagehand working on a movie if it was a lie?

I don't think that would technically be a crime

I would hype the film long before it was released, with planted infotainment press releases about dangers on the set, and actors needing to see psychotherapists while filming the movie, simply because of the nature of the content...

lol see?......

I would release fake ass news stories saying the actors required therapists to help them through the filming

Just make it sound like it's really bad news from the get to

Have everybody thinking the movie is jinxed or the set is haunted or whatever the fuck they want to think

maybe even drop hints that certain controversial scenes somehow made it into the finished movie

like the guy who didn't actually die. The fake story about a stage hand dying that type of shit... You could do little press releases about "some critics claim the actual footage from the death somehow ended up in the final cut of the film"

You see what I'm saying?....
I'm just tossing out ideas

But you get the drift, right?
I'm suggesting they could create a fake hype around the movie long before it's released

And the message is clear:
THIS IS SUPPOSED TO BE A REALLY WEIRD DISTURBING SCARY MOVIE

DISTURBINGLY REAL....
disturbingly graphic
with really really cool rave music and high-end visual effects and it would be like a special effects cavalcade

with a bunch of raping and assaulting interspersed throughout the story

But the book ends with Alex starting a cult

The book ends completely differently than the film

And I say follow it out to the end just like the book. Have the cult and everything
Anonymous No.941614883 [Report] >>941618330
I think it would really be in the way it was worded..

Not something on the regular news, but I'm talking about entertainment news shows like TMZ or ET

I can see a legal department agreeing that no law would be broken by having an "unnamed source who claims there was a death on the set while filming the new a clockwork Orange movie and the production company has not responded to reporters inquiries yet" type of a hint without actually breaking the law

Just announcing an anonymous rumor

see what I'm saying? It would be nothing more than saying "somebody who prefers to remain anonymous has hinted about a rumor of a death that occurred while filming the movie"

I don't think that's actually a crime

....... I don't see how that would actually break any laws. Just hinting that somebody said something about a rumor

But everybody would hear it and think "wow this movie's bad news! almost like it's cursed! I want to go see it"
Anonymous No.941615177 [Report]
Make it a real HI-TECH HORROR SHOW worthy of lovely Ludwig Van
Anonymous No.941618330 [Report]
>>941614883
I remember when the Nostalgia Critic was a real person
Anonymous No.941618548 [Report]
>>941612820 (OP)
>>>/bant/23506592