>>7601657Because historically you had to go to a decent industry-focused art school to learn that kind of overrendering. It was "magic" that made it seem like you had to work for 9000 hours on one picture, so the assumption was that people who could do it were gods. Studying the divine to learn a fragment of their power.
Now everyone knows its just a concept artist tool to add visual noise for contrast. The impressiveness of technique goes down, so what are you left with? Well... basically just good observational skills, and other fundies which anyone can learn with practice.
It's why the other anon pointed out how his art really says nothing. That's just what happens if you tune your art to work in industrial pipelines, and the current zeitgeist has major anti-establishment currents running through it (in part because of better knowledge, in part because of institutions eroding their own credibility). What this means is that anyone whose art is visually part of that structure is going to be looked down upon.