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And let’s talk about the Eurocentric framing here. Silence is a story told through the lens of Western guilt and spiritual crisis — and yet you’re centering the question on whether the colonized “approved” of the colonizer’s narrative. That’s not just tone-deaf, that’s cinematic mansplaining on a global scale. And it reeks of that subtle “validation seeking” where Western art only feels complete if the “locals” give a thumbs-up, like some exotic stamp of authenticity. Newsflash: Japanese viewers do not exist to rubber-stamp Western storytelling about their own history.